I believe that what we call beautiful is generally a by-product.
DOROTHEA LANGELife, for people, begins to crumble on the edges; they don’t realize it.
More Dorothea Lange Quotes
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Sometimes in a hostile situation you stick around because hostility itself is important.
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To me, beauty appears when one feels deeply, and art is an act of total attention.
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Pick a theme and work it to exhaustion… the subject must be something you truly love or truly hate.
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You go into a room and you know where you’re welcome; you know where you’re unwelcome.
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The best way to go into an unknown territory is to go in ignorant, ignorant as possible, with your mind wide open, as wide open as possible and not having to meet anyone else’s requirement but your own.
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You know there are moments such as these when time stands still and all you do is hold your breath and hope it will wait for you.
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The good photograph is not the object, the consequences of the photograph are the objects.
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You put your camera around your neck along with putting on your shoes, and there it is, an appendage of the body that shares your life with you.
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Seeing is more than a physiological phenomenon… We see not only with our eyes but with all that we are and all that our culture is. The artist is a professional see-er.
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Photography takes an instant out of time, altering life by holding it still.
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We know by now how to photograph poor people. What we don’t know is how to photograph affluence – whose other face is poverty.
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Artists are controlled by the life that beats in them, like the ocean beats on the shore.
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I many times encountered courage, real courage. Undeniable courage. I’ve heard it said that that was the highest quality of the human animal.
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Surefire things are deadening to the human spirit.
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This benefit of seeing…can come only if you pause a while, extricate yourself from the maddening mob of quick impressions ceaselessly battering our lives, and look thoughtfully at a quiet image…the viewer must be willing to pause, to look again, to meditate.
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A documentary photograph is not a factual photograph.
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To live a visual life is an enormous undertaking, practically unattainable. I have only touched it, just touched it.
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I realize more and more what it takes to be a really good photographer. You go in over your head, not just up to your neck.
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While there is perhaps a province in which the photograph can tell us nothing more than what we see with our own eyes, there is another in which it proves to us how little our eyes permit us to see.
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Ours is a time of the machine, and ours is a need to know that the machine can be put to creative human effort. If not, the machine can destroy us.
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Life, for people, begins to crumble on the edges; they don’t realize it.
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I had to get my camera to register things that were more important than how poor they were–their pride, their strength, their spirit.
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I believe in living with the camera, and not using the camera.
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go in over your head, not just up to your neck.
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Bring the viewer to your side, include him in your thought. He is not a bystander.
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I trust my instincts. I don’t distrust them. They haven’t led me astray. It’s when I’ve made up my mind to be efficient that is when I have gone wrong.
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