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You go into a room and you know where you’re welcome; you know where you’re unwelcome.

Dorothea Lange

I realize more and more what it takes to be a really good photographer. You go in over your head, not just up to your neck.
DOROTHEA LANGE

Neck Over Photographer Realize Take You
This benefit of seeing…can come only if you pause a while, extricate yourself from the maddening mob of quick impressions ceaselessly battering our lives, and look thoughtfully at a quiet image…the viewer must be willing to pause, to look again, to meditate.
DOROTHEA LANGE

Benefits Come Extricate Impression Look Maddening Mob Pause Quick Quiet
Being disabled gave me an immense advantage. People are kinder to you. It puts you on a different level than if you go into a situation whole and secure.
DOROTHEA LANGE

Advantage Being Different Disabled People Perspective
We know by now how to photograph poor people. What we don’t know is how to photograph affluence – whose other face is poverty.
DOROTHEA LANGE

Affiuelence Face People Photograph Poor Poverty Race
Artists are controlled by the life that beats in them, like the ocean beats on the shore.
DOROTHEA LANGE

Artist Beat Controlled Life Ocean Shore
The people who are garrulous and wear their heart on their sleeve and tell you everything, that’s one kind of person, but the fellow who’s hiding behind a tree and hoping you don’t see him is the fellow that you’d better find out why.
DOROTHEA LANGE

Better Everything Fellow Hide Kind People Person See Tell
That frame of mind that you need to make fine pictures of a very wonderful subject, you cannot do it by not being lost yourself.
DOROTHEA LANGE

Being Frame Life Lost Make Mind Photography Picture Subject Wonderful Yourself
The best way to go into an unknown territory is to go in ignorant, ignorant as possible, with your mind wide open, as wide open as possible and not having to meet anyone else’s requirement but your own.
DOROTHEA LANGE

Ignorant Mind Open Possible Territory Unknown Wide
Photography takes an instant out of time, altering life by holding it still.
DOROTHEA LANGE

Alter Change Hold Inspirational Instant Life Photography Take
I believe in living with the camera, and not using the camera.
DOROTHEA LANGE

Believe Camera Live Use
The good photograph is not the object, the consequences of the photograph are the objects. So that no one would say, how did you do it, where did you find it, but they would say that such things could be.
DOROTHEA LANGE

Consequences Good Lens Object Photograph Photography
To live a visual life is an enormous undertaking, practically unattainable. I have only touched it, just touched it.
DOROTHEA LANGE

Enormous Life Live Touch Undertaking Visual
Pick a theme and work it to exhaustion… the subject must be something you truly love or truly hate.
DOROTHEA LANGE

Exhaustion Hate Life Photography Theme
To know ahead of time what you’re looking for means you’re then only photographing your own preconceptions, which is very limiting, and often false.
DOROTHEA LANGE

Ahead Along False Know Limit Look Mean Own Photographer Photography Preconception Put
Bring the viewer to your side, include him in your thought. He is not a bystander.
DOROTHEA LANGE

Bystanders Perception Side Thought Viewer
A documentary photograph is not a factual photograph.
DOROTHEA LANGE

Documentaries Factual Life Photography

You go into a room and you know where you’re welcome; you know where you’re unwelcome.

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You go into a room and you know where you’re welcome; you know where you’re unwelcome.

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