Ten years is a pretty good run for anything.
BABATUNDE ADEBIMPEBeing 15 and like a punk in the DIY community, basically being with a group of people like no one else, it was the first place to exclude or call out if people were racist, sexist, homophobic or in any way prejudiced.
More Babatunde Adebimpe Quotes
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Adam is one of my favourite writers, period. He has such a unique voice and he’s somebody who I admire so much for putting the effort into inventing his own language and furthering it.
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If you push hard enough you can change. You can take everything you know and round it up, turn it into something else, and keep turning things into something else.
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A lot of people have reunion things, but I think bands are supposed to break up.
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Touring is really a weird social experiment, even though everyone thinks it’s a party every day.
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There was something in me, even leaving fifth grade, that hit me and said, “I have to get out of here. I don’t know where, and I don’t know what else I can do but I’m really not going to end up like any of these people.”
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When I’m in the mode of feeling positive about love, I don’t really feel the need to mark it down in song. In fact, I know what that song would sound like, and I would not subject anybody to that.
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I feel like people just let each other live a little more in New York.
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It’s insane when someone shows up to your show and is like, “You could run off with me right now!” I’m like, “It’s cool, I think I’m gonna go read.”
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If anybody won life, David Bowie did, at least as a creative entity in the sense of writing yourself into existence and writing yourself out in such a graceful swoop.
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You turn into this desperate dude looking for a shred of attention when you just had so much. It’s like, “I’m just lonely and all I really want is a hug, but I gotta capture that in something real gross.” You start to understand why circus clowns are alcoholics.
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Hearing that [David] Bowie passed was like you don’t really believe it. It’s as if the sky shifted a little bit, to remind you it was there.
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I was living in a loft with Dave Sitek – this loft full of people just working on their stuff. Some were painting, some were writing. Any plans you had were kind of like a plan for the next two months.
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Adding instruments to parts of a song and having them somehow find a pocket. That to me was a huge lesson. Like, there’s more than 808s in the universe.
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I don’t want my reasons to be informed by what people think about what I’m doing.
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I want to be around these positive, expressive people who are doing something different and who also want to get the hell out of there and don’t want to be around basic human bullshit.
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