“The camera is an instrument that teaches people how to see without a camera.”

You put your camera around your neck along with putting on your shoes, and there it is, an appendage of the body that shares your life with you.

One should really use the camera as though tomorrow you’d be stricken blind.

A documentary photograph is not a factual photograph.

Sometimes in a hostile situation you stick around because hostility itself is important.

It is not enough to photograph the obviously picturesque.

The best way to go into an unknown territory is to go in ignorant, ignorant as possible, with your mind wide open, as wide open as possible and not having to meet anyone else’s requirement but your own.

I believe that what we call beautiful is generally a by-product.

Photography is a lot like telling a large predatory cat what to do-while an audience of people you can’t see watches you.

No country has ever closely scrutinized itself visually.

It is no accident that the photographer becomes a photographer any more than the lion tamer becomes a lion tamer.

Bring the viewer to your side, include him in your thought. He is not a bystander.

To me, beauty appears when one feels deeply, and art is an act of total attention.

Photography today appears to be in a state of flight… The familiar is made strange, the unfamiliar grotesque. The amateur forces his Sundays into a series of unnatural poses.

Pick a theme and work it to exhaustion… the subject must be something you truly love or truly hate.

One should really use the camera as though tomorrow you’d be stricken blind.

Life, for people, begins to crumble on the edges; they don’t realize it.

My philosophy is that I’m an artist. I perform an art not with a paint brush or a camera. I perform with bodily movement. Instead of exhibiting my art in a museum or a book or on canvas, I exhibit my art in front of the multitudes.

I am not as intelligent as Aamir Khan . I am barely managing to be in front of the camera. There are many people who know marketing well and surely Aamir knows much more than I do.

My co-stars call me selfish. They say you are only interested in yourself and what you are only interested is yourself and what you are doing in front of the camera. I reply, I can’t help it; it’s what got me where I am.

A film is never really good unless the camera is an eye in the head of a poet.

I started modelling while still studying. I liked doing television commercials and being in front of the camera. Lots of ad directors told me to try for films.

I feel that modelling has groomed my personality and made me a confident person, but even today, when I go on the ramp, I get nervous. I am more comfortable being in front of the camera than walking on the ramp.

I’m always that annoying person that pulls out the camera in the middle of dinner and starts taking candids.

It is the photographer, not the camera, that is the instrument.