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When we read a story, we inhabit it. The covers of the book are like a roof and four walls.

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Book Cover Four Inhabit Reading Roof Wall

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

Buildings become furniture, courtyards become carpets and arrases, the streets are like galleries, the boulevards conservatories. It is a house, one or two centuries old, rich, bourgeois, distinguished. The only way of going out, or shutting the door behind you, is to leave the centre.
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Picasso drawings are like that… the Rembrandts are like that. The artist who most often did that was Van Gogh.
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No painting or drawing, however naturalist, belongs to its subject in the way that a photograph does.
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Deep in the nature of theatre is a sense of ritual. The cinema, by contrast, transports its audience individually, singly, out of the theatre towards the unknown.
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There’s the artist’s intimacy and truthfulness to himself, but an equal intimacy to the Other [the one drawn].
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A drawing is an autobiographical record of one’s discovery of an event – either seen, remembered or imagined. A ‘finished’ work is an attempt to construct an event in itself.
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The human imagination… has great difficulty in living strictly within the confines of a materialist practice or philosophy.
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The heart of Paris is like nothing so much as the unending interior of a house.
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When we read a story, we inhabit it. The covers of the book are like a roof and four walls.
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To be naked is to be oneself. To be nude is to be seen naked by others and yet not recognised for oneself.
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What is significant, and is so difficult for the urban stranger to understand, is that the two statements are connected by an and not by a but.
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Whenever the intensity of looking reaches a certain degree, one becomes aware of an equally intense energy coming towards one through the appearance of whatever it is one is scrutinizing.
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Those who first invented and then named the constellations were storytellers.
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Every authentic poem contributes to the labor of poetry… to bring together what life has separated or violence has torn apart…
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Never again shall a single story be told as though it were the only one.
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The surveyor of woman in herself is male: the surveyed female. Thus she turns herself into an object – and most particularly an object of vision: a sight.
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