Hearing that [David] Bowie passed was like you don’t really believe it. It’s as if the sky shifted a little bit, to remind you it was there.
BABATUNDE ADEBIMPEAdding instruments to parts of a song and having them somehow find a pocket. That to me was a huge lesson. Like, there’s more than 808s in the universe.
More Babatunde Adebimpe Quotes
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The cynicism doesn’t come across in the final; it can be taken as a very sincere plea for someone to not go away.
BABATUNDE ADEBIMPE -
I feel like now if you’re going to start a band you have to have an Instagram full of yourself looking a certain way, lined up like five dudes in mugshot alley, hanging out by the bridge or up against the wall, or “We’re in a library for some reason!”
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I know that being upset without having an avenue to fix anything is a real hard place to be in for too long. But it’s even worse thinking that it’ll go away if you just ignore it.
BABATUNDE ADEBIMPE -
I feel like people just let each other live a little more in New York.
BABATUNDE ADEBIMPE -
Adding instruments to parts of a song and having them somehow find a pocket. That to me was a huge lesson. Like, there’s more than 808s in the universe.
BABATUNDE ADEBIMPE -
Touring is really a weird social experiment, even though everyone thinks it’s a party every day.
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The feeling of being halfway through a show and just realizing that there’s nothing you can do to save it – it’s a horrible feeling.
BABATUNDE ADEBIMPE -
You turn into this desperate dude looking for a shred of attention when you just had so much. It’s like, “I’m just lonely and all I really want is a hug, but I gotta capture that in something real gross.” You start to understand why circus clowns are alcoholics.
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Painting and animation can be kind of long work. Music was more immediate and more fun.
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Regarding race or gender or sexuality, one of the great things about art and music is that they can provide people with very little else in common with a similar entry point for discussion, but the discussions still need to happen for life to get more interesting.
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There are a lot of spikes that can happen when what you’re doing starts to get attention or people start to talk about it. They can just kind of really do a number on your reasons for making music.
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I like the model of people getting together to make something when they want to do it and not being dictated to by a cycle.
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There are people who kind of let you know that you can silence the room.
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I was living in a loft with Dave Sitek – this loft full of people just working on their stuff. Some were painting, some were writing. Any plans you had were kind of like a plan for the next two months.
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I don’t want my reasons to be informed by what people think about what I’m doing.
BABATUNDE ADEBIMPE