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The camera relieves us of the burden of memory.

John Berger

In the average European oil painting of the nude the principal protagonist is never painted. He is the spectator in front of the picture and he is presumed to be a man.
JOHN BERGER

Average Country Men never Painting Presume Principal Protagonist Rude Spectator
Everything in life, is a question of drawing a life, John, and you have to decide for yourself where to draw it.
JOHN BERGER

Decide Draw Drawing Everything People Question Trying Yourself
History always constitutes the relation between a present and its past. Consequently fear of the present leads to mystification of the past
JOHN BERGER

Always Constitute History Past Present Relation
What distinguished man from animals was the human capacity for symbolic thought, the capacity which was inseparable from the development of language in which words were not mere signals, but signifiers of something other than themselves.
JOHN BERGER

Animal Capacity Development First Human In Language Men Separate Signal Symbolic
Landscapes can be deceptive. Sometimes a landscape seems to be less a setting for the life of its inhabitants than a curtain behind which their struggles, achievements and accidents takes place.
JOHN BERGER

Achievement Behind Deceptive Landscape Life Seem Setting Sometimes Struggle Success
It is not an art of the princes or the bourgeoisie. It is popular and vagrant. In the sky of the cinema people learn what they might have been and discover what belongs to them apart from their single lives.
JOHN BERGER

Art Bourgeoisie Cinema Discover Learn People Popular Princes Single Sky Vagrant
Whenever he looked he saw the labour of existence; and this labour, recognised as such, was what constituted reality for him. (On Vincent Van Gogh)
JOHN BERGER

Constitute Country Existence Labour Look People Recognised Saw Sky Vicent
The surveyor of woman in herself is male: the surveyed female. Thus she turns herself into an object – and most particularly an object of vision: a sight.
JOHN BERGER

Female Herself Object Sight Surveyed Turn Vision Woman
One can say of language that it is potentially the only human home, the only dwelling place that cannot be hostile to man.
JOHN BERGER

Dwelling Home Hostile Language Men Place Potentially
Art, when it functions like this, becomes a meeting-place of the invisible, the irreducible, the enduring, guts, and honor.
JOHN BERGER

Art Become Enduring Function Gut Honor Invisible Meeting Place
The extreme proposition on which Giacometti based all his mature work was that no reality… could ever be shared. This is why he believed it impossible for a work to be finished. This is why the content of any work is not the nature of the figure or head portrayed but the incomplete history of him staring at it.
JOHN BERGER

Bases Extreme Finishing Giacometti History Impossible Incomplete Portrayed Proposition Reality Share Staring
The existence of pleasure is the first mystery. The existence of pain has prompted far more philosophical speculation.
JOHN BERGER

More Mystery Pain Philosophical Presecute Space Speculation
Writers who have neither product utopian trash.
JOHN BERGER

Neither Product Truth Utopian Writer
Every city has a sex and an age which have nothing to do with demography. Rome is feminine. So is Odessa. London is a teenager, an urchin, and, in this, hasn’t changed since the time of Dickens. Paris, I believe, is a man in his twenties in love with an older woman.
JOHN BERGER

Age Believe City Every Nothing Sex Teenager
A peasant becomes fond of his pig and is glad to salt away its pork.
JOHN BERGER

Animal Away Become Fond Glad Peasant Pig Pigs Pork Two
A photograph is a result of the photographer’s decision that it is worth recording that this particular event or this particular object has been seen. If everything that existed were continually being photographed, every photograph would become meaningless.
JOHN BERGER

Everything Meamimgless Object Particular Photograph Recording Result

The camera relieves us of the burden of memory.

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The camera relieves us of the burden of memory.

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