When we read a story, we inhabit it. The covers of the book are like a roof and four walls.
JOHN BERGERIt is not an art of the princes or the bourgeoisie. It is popular and vagrant. In the sky of the cinema people learn what they might have been and discover what belongs to them apart from their single lives.
More John Berger Quotes
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Compassion opposes this order and is therefore best thought of as being in some way supernatural.
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Protest and anger practically always derives from hope, and the shouting out against injustice is always in the hope of those injustices being somewhat corrected and a little more justice established.
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In the average European oil painting of the nude the principal protagonist is never painted. He is the spectator in front of the picture and he is presumed to be a man.
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All weddings are similar, but every marriage is different.
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Do you know the legend about cicadas? They say they are the souls of poets who cannot keep quiet because, when they were alive, they never wrote the poems they wanted to.
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Glamour cannot exist without personal social envy being a common and widespread emotion.
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A drawing is essentially a private work, related only to the artist’s own needs; a ‘finished’ statue or canvas is essentially a public, presented work – related far more directly to the demands of communication.
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Hair is associated with sexual power. With passion.
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The camera relieves us of the burden of memory. It surveys us like God, and it surveys for us. Yet no other god has been so cynical, for the camera records in order to forget.
JOHN BERGER -
When we read a story, we inhabit it. The covers of the book are like a roof and four walls.
JOHN BERGER -
The contradiction in perspective was that it structured all images of reality to address a single spectator who, unlike God, could only be in one place at a time.
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The power of the glamorous resides in their supposed happiness: the power of the bureaucrat in his supposed authority.
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It dreams, like a dog in its basket, of hares in the open.
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Tracing an imaginary line between a cluster of stars gave them an image and an identity.
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One of the fundamental reasons why so many doctors become cynical and disillusioned is precisely because, when the abstract idealism has worn thin, they are uncertain about the value of the actual lives of the patients they are treating.
JOHN BERGER