“It was a revelation for me, in a practical sense, that you could write in an African language and still reach an audience beyond that language through the art of translation.”

And even in terms of justice, law codes, the legal system. A person who does not know English in Africa is excluded from that system because he can only operate through acts of translation.

Christianity and Western civilization-what countless crimes have been committed in thy name!

I’m more trying to connect; I’m more listening to people. Whatever I get is very meaningful to me.

We can appreciate each other’s languages. And the question of being uncomfortable about our languages would go away.

Why did Africa let Europe cart away millions of Africa’s souls from the continent to the four corners of the wind?

Our lives are a battlefield on which is fought a continuous war between the forces that are pledged to confirm our humanity and those determined to dismantle it.

The Bible in translation is being read to thousands and thousands in Africa. It is an integral part of their functioning and the way they look at the world.

You get another person who operates only in an African language and there are many persons who operate only in African languages; he or she is excluded from all the goodies that come with English.

What is translated from English and into English – and in what quantities – is a question of power.

How could Europe lord it over a continent ten times its size? Why does needy Africa continue to let its wealth meet the needs of those outside its borders and then follow behind with hands outstretched for a loan of the very wealth it let go?

The Bible affects everybody’s life who is a Christian, from the middle class in Europe to the peasant in Africa and Asia.

The same questions are there in Native American languages, they’re there in native Canadian languages, they’re there is some marginalized European languages, like say, Irish.

The Bible has affected their lives, but in translation, since they do not read the Bible in the original Greek or Hebrew.

Through the act of translation we break out of linguistic confinement and reach many other communities.

So what I thought was just an African problem or issue is actually a global phenomenon about relationships of power between languages and cultures.

Of course it’s very, very important for me to feel Kenya, to feel, every day, this is where images come from. So to be taken away from that by political pressure or other means – one is taken away from the area, which is the basis of inspiration – is difficult.

I’ve been in love with audiences all my life, and I’ve tried to please. I hope I did.

I truly have a great love for an audience, and I used to want to prove it to them by giving them blood.

What I appreciate is acknowledging to the audience that I think they have brains.

When people told the audience that [Sam Kinison] was good, he was accepted after that.

I want to give the audience a hint of a scene. No more than that. Give them too much and they won’t contribute anything themselves. Give them just a suggestion and you get them working with you. That’s what gives the theater meaning: when it becomes a social act.

I find that when I tell lawyer jokes to a mixed audience, the lawyers don’t think they’re funny and the non-lawyers don’t think they’re jokes.

Prisoners are the greatest audience that an entertainer can perform to.

I try to choose characters that don’t remind the audience of my previous roles. I make a conscious effort for that.