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I cannot accept the definition of collective good as articulated by a privileged minority in society, especially when that minority is in power.

Wole Soyinka

But theater, because of its nature, both text, images, multimedia effects, has a wider base of communication with an audience. That’s why I call it the most social of the various art forms.
WOLE SOYINKA

Audience Base Both Communication Effect Image Multimedia Nature Theatre Wider
I can look violence in the face and either reject or accept it.
WOLE SOYINKA

Accept Can Either Face Reject Took Violence
You cannot live a normal existence if you haven’t taken care of a problem that affects your life and affects the lives of others, values that you hold which in fact define your very existence.
WOLE SOYINKA

Care Effect Existence Life Live Normal Other Problem Taken
Alfred Nobel regretted that his invention, dynamite, was converted to degrading use, hence his creation of the Nobel Prize, as the humanist counter to the destructive power of his genius.
WOLE SOYINKA

Convert Creation Degrading Dynamite Hence Humanist Invention Nobel Prize Regretted
I believe that each writer must decide in which language he or she is most comfortable.
WOLE SOYINKA

Believe Comfortable Each Language Most Must Decide Writer
. . . as far as the regime is concerned, well, the play is sheer terror for them. Because they feel, How dare – how dare anybody lift his or her voice in criticism against us? We have the guns. Their level of paranoia and power-drunkenness is unbelievable.
WOLE SOYINKA

Concern Far Feel Play Regime Sheer Terror Well
Religion has really spawned some monsters. It always has, historically. Go all the way back to the Inquisition, you know, the Crusades, the Jehad and so on.
WOLE SOYINKA

Always Back Crusades Go Historical Inquisition Know Monster Really Religion Some Swawned Way
No man beholds his mother’s womb Yet who denies it’s there? Coiled To the navel of the world is that Endless cord that links us all To the great Origin. If I lose my way. The trailing cord will bring me to the roots.
WOLE SOYINKA

All Behold Collect Denies Endless Link Man Mother Navel No Us Womb World
We all have our individual artistic temperaments as well as partisanships in creative directions. And we have strong opinions on the merits of the products of our occupation.
WOLE SOYINKA

All Artistic Creative Direction Individual Temperament Well
The media owes the responsibility to constantly tell the public the truth.
WOLE SOYINKA

Constantly Media Public Responsibility Truth
But when you’re deprived of it for a lengthy period then you value human companionship. But you have to survive and so you devise all kinds of mental exercises and it’s amazing.
WOLE SOYINKA

All Companionship Deprive Devise Human Kind Length Period Survive
I’m not one of those writers I learned about who get up in the morning, put a piece of paper in their typewriter machine and start writing. That I’ve never understood.
WOLE SOYINKA

Learn Machine Morning Paper Piece Put Start Typewriter Writer Writing
The media must be used effectively to reach the masses. You have to find a new language in which to address the people and demonstrate what is possible.
WOLE SOYINKA

Address Demonstrate Effectively Find Language Mass Media Must New People Reach Use
Power is domination, control, and therefore a very selective form of truth which is a lie.
WOLE SOYINKA

Control Domination Form Lie Power Selective Therefore Truth
I began writing early – very, very early… I was already writing short stories for the radio and selling poems to poetry and art festivals; I was involved in school plays; I wrote essays, so there was no definite moment when I said, ‘Now I’m a writer.’ I’ve always been a writer.
WOLE SOYINKA

Began Early Festival Poem Poetry Selling Short Story Very Writing
The greatest threat to freedom is the absence of criticism.
WOLE SOYINKA

Absence Criticism Freedom Greatest Threat

I cannot accept the definition of collective good as articulated by a privileged minority in society, especially when that minority is in power.

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I cannot accept the definition of collective good as articulated by a privileged minority in society, especially when that minority is in power.

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Popular Authors

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