Very conscious of the fact that an effort was being made to destroy my mind, because I was deprived of books, deprived of any means of writing, deprived of human companionship. You never know how much you need it until you’re deprived of it.
WOLE SOYINKA- Romance is the sweetening of the soul With fragrance offered by the stricken heart.
WOLE SOYINKA
- black
- grey
- blue
- red
- brown
- white
Romance is the sweetening of the soul With fragrance offered by the stricken heart.
More Wole Soyinka Quotes
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Very conscious of the fact that an effort was being made to destroy my mind, because I was deprived of books, deprived of any means of writing, deprived of human companionship. You never know how much you need it until you’re deprived of it.
WOLE SOYINKA -
I know there are writers who get up every morning and sit by their typewriter or word processor or pad of paper and wait to write. I don’t function that way. I go through a long period of gestation before I’m even ready to write.
WOLE SOYINKAI know there are writers who get up every morning and sit by their typewriter or word processor or pad of paper and wait to write. I don’t function that way. I go through a long period of gestation before I’m even ready to write.
WOLE SOYINKA -
My understanding of the creative process is simply that all cultures and all concerns meet at a certain point, the human point in which everything is related to one another. That has been my creative experience.
WOLE SOYINKAMy understanding of the creative process is simply that all cultures and all concerns meet at a certain point, the human point in which everything is related to one another. That has been my creative experience.
WOLE SOYINKA -
But theater, because of its nature, both text, images, multimedia effects, has a wider base of communication with an audience. That’s why I call it the most social of the various art forms.
WOLE SOYINKABut theater, because of its nature, both text, images, multimedia effects, has a wider base of communication with an audience. That’s why I call it the most social of the various art forms.
WOLE SOYINKA -
What I teach is literary criticism and comparative literature and so on and that’s my function, but from time to time it’s possible for me actually to help a writer. I read something and something strikes me then, I feel I can talk to that writer about it.
WOLE SOYINKAWhat I teach is literary criticism and comparative literature and so on and that’s my function, but from time to time it’s possible for me actually to help a writer. I read something and something strikes me then, I feel I can talk to that writer about it.
WOLE SOYINKA -
It’s the place to begin, always — to return to home, literally.
WOLE SOYINKAIt’s the place to begin, always — to return to home, literally.
WOLE SOYINKA -
Be yourself. Ultimately just be yourself.
WOLE SOYINKABe yourself. Ultimately just be yourself.
WOLE SOYINKA -
I don’t know any other way to live but to wake up everyday armed with my convictions, not yielding them to the threat of danger and to the power and force of people who might despise me.
WOLE SOYINKAI don’t know any other way to live but to wake up everyday armed with my convictions, not yielding them to the threat of danger and to the power and force of people who might despise me.
WOLE SOYINKA -
I began writing early – very, very early… I was already writing short stories for the radio and selling poems to poetry and art festivals; I was involved in school plays; I wrote essays, so there was no definite moment when I said, ‘Now I’m a writer.’ I’ve always been a writer.
WOLE SOYINKAI began writing early – very, very early… I was already writing short stories for the radio and selling poems to poetry and art festivals; I was involved in school plays; I wrote essays, so there was no definite moment when I said, ‘Now I’m a writer.’ I’ve always been a writer.
WOLE SOYINKA -
Let’s say there are prospects for a new Nigeria, but I don’t think we have a new Nigeria yet.
WOLE SOYINKALet’s say there are prospects for a new Nigeria, but I don’t think we have a new Nigeria yet.
WOLE SOYINKA -
I said: “A tiger does not proclaim his tigritude, he pounces”. In other words: a tiger does not stand in the forest and say: “I am a tiger”. When you pass where the tiger has walked before, you see the skeleton of the duiker, you know that some tigritude has been emanated there.
WOLE SOYINKAI said: “A tiger does not proclaim his tigritude, he pounces”. In other words: a tiger does not stand in the forest and say: “I am a tiger”. When you pass where the tiger has walked before, you see the skeleton of the duiker, you know that some tigritude has been emanated there.
WOLE SOYINKA -
Well, the first thing is that truth and power for me form an antithesis, an antagonism, which will hardly ever be resolved. I can define in fact, can simplify the history of human society, the evolution of human society, as a contest between power and freedom.
WOLE SOYINKAWell, the first thing is that truth and power for me form an antithesis, an antagonism, which will hardly ever be resolved. I can define in fact, can simplify the history of human society, the evolution of human society, as a contest between power and freedom.
WOLE SOYINKA -
You accept whoever you are interacting with, directly, or indirectly.
WOLE SOYINKAYou accept whoever you are interacting with, directly, or indirectly.
WOLE SOYINKA -
History teaches us to beware of the excitation of the liberated and the injustices that often accompany their righteous thirst for justice.
WOLE SOYINKAHistory teaches us to beware of the excitation of the liberated and the injustices that often accompany their righteous thirst for justice.
WOLE SOYINKA -
I have one abiding religion-human liberty.
WOLE SOYINKAI have one abiding religion-human liberty.
WOLE SOYINKA -
Looking at faces of people, one gets the feeling there’s a lot of work to be done.
WOLE SOYINKALooking at faces of people, one gets the feeling there’s a lot of work to be done.
WOLE SOYINKA


