Let’s say there are prospects for a new Nigeria, but I don’t think we have a new Nigeria yet.
WOLE SOYINKAI consider the process of gestation just as important as when you’re actually sitting down putting words to the paper.
More Wole Soyinka Quotes
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The hand that dips into the bottom of the pot will eat the biggest snail.
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Arts and the Sciences are a natural symbiosis. They stem from the same human existential impulse – exploration. Exploration of what lies beneath the surface, and re-confuguration of elements of what we call reality.
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Very conscious of the fact that an effort was being made to destroy my mind, because I was deprived of books, deprived of any means of writing, deprived of human companionship. You never know how much you need it until you’re deprived of it.
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I don’t know any other way to live but to wake up everyday armed with my convictions, not yielding them to the threat of danger and to the power and force of people who might despise me.
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I cannot accept the definition of collective good as articulated by a privileged minority in society, especially when that minority is in power.
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I never hesitated, as a student, in embracing the necessity of violence. In South Africa, I didn’t just accept it; I looked forward to it as a mission.
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Well, the first thing is that truth and power for me form an antithesis, an antagonism, which will hardly ever be resolved. I can define in fact, can simplify the history of human society, the evolution of human society, as a contest between power and freedom.
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I know there are writers who get up every morning and sit by their typewriter or word processor or pad of paper and wait to write. I don’t function that way. I go through a long period of gestation before I’m even ready to write.
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If man cannot, what god dare claim perfection?
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It is the human potentials that interest me. I travel and everywhere I go I am amazed at the presence of Nigerians. The intelligence, integrity, productivity, initiative.
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Culture is a matrix of infinite possibilities and choices. From within the same culture matrix we can extract arguments and strategies for the degradation and ennoblement of our species, for its enslavement or liberation, for the suppression of its productive potential or its enhancement.
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There’s a lot of insincerity about the actions of our legislators; they create distractions – like this anti-gay law you alluded to – and try to mobilise, to exacerbate people’s emotions. Until the legislators started making laws, people minded, generally, their own business.
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To achieve any change in the minds of the youth, there must be reorientation in terms of materialistic tendencies, corruption and crime generally.
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Power is domination, control, and therefore a very selective form of truth which is a lie.
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Don’t take shadows too seriously. Reality is your only safety. Continue to reject illusion.
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For me, a writer is already being the deuce of his mission, his occupation to society.
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I think that feeling that if one believed absolutely in any cause, then one must have the confidence, the self-certainty, to go through with that particular course of action.
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When you are looking for corruption, you should look at the entire stratum of the society, while some forms of corruption are direct, others are indirect.
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I’m not one of those writers I learned about who get up in the morning, put a piece of paper in their typewriter machine and start writing. That I’ve never understood.
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A tiger does not proclaim his tigritude, he pounces.
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Alfred Nobel regretted that his invention, dynamite, was converted to degrading use, hence his creation of the Nobel Prize, as the humanist counter to the destructive power of his genius.
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Intolerance has always been with us, you know. The moment you have ideology, we have intolerance, whether it’s the secular ideology or, you know ideocratic ideology, which always brings with it some kind of intolerance.
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I have one abiding religion-human liberty.
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We live in a materialist world, and materialism appeals so strongly to humanity, no matter where.
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But theater, because of its nature, both text, images, multimedia effects, has a wider base of communication with an audience. That’s why I call it the most social of the various art forms.
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We do not ask the mountain’s aid to crack a walnut.
WOLE SOYINKA