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I don’t think I’m going to be an international sex symbol. I mean, I know I’m not going to be an international sex symbol.

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I grew up in a very loud family where you had to fight to get your voice heard, in a good way.
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The biggest thing about ‘Lady Macbeth’ is the fact that people are so surprised that this woman is so amazing, and really, it shouldn’t be so amazing that this incredible character is on our screens.
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I want women on-screen that we all either want to be, or we know, or we recognize.
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If I can make my mark just a little bit, then great.
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I think there’s always some good reason to try and modernize most period things, because at the end of the day, they may have,
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I think it’s so interesting which ways your career can go. I would have been a completely different actor doing a completely different story, and I would have missed ‘Lady Macbeth.’
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I grew up in a very loud and dramatic household, and we loved being in the spotlight.
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If you ever want to be interrogated, get Michael Shannon to do it. He’s an amazing man. I loved working with him.
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I have been enormously lucky. My first role was in a great film by a woman director.
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In ‘Fighting With My Family,’ there’s a scene where I have to wrestle; I have to do the famous fight between Paige and AJ Lee.
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Why aren’t there these epic roles for women, for whatever age you are?
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Playing Paige, I felt I had to train to wrestle.
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There’s a reason why there’s a problem with bodies, and it’s because you never actually get to see any normal versions of them.
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And I’m a very physical person: I talk with my hands. And I felt how the clothes took that away from me. And that was the idea, I think. It was a way of limiting women.
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Wearing a corset is extremely uncomfortable.
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What audiences love with series is that they can invest in characters for such a long period of time, and it’s the same for actors. You can truly tell your story; then it’s done.
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