“The one thing that I always try and take with me, if there’s, like, a remake, or you’re doing something again, is that every generation has a new story to tell.”

In ‘Fighting With My Family,’ there’s a scene where I have to wrestle; I have to do the famous fight between Paige and AJ Lee.

There was one moment when I was in L.A., and he was teaching me a move. I just looked at him, thinking, ‘Oh my God, I’m being taught to wrestle by Dwayne Johnson. What the hell?’

Amazing, obviously. She’s been my idol since I re-enacted ‘Titanic’ and fell in love with Leo. And it’s a privilege to be called the next anything. But I suppose to be the next you is all you can do.

I grew up in a very loud family where you had to fight to get your voice heard, in a good way.

What we don’t realise when we watch a normal film is how many times someone has run in just before a shot quickly to wipe away that sweaty moustache.

Wearing a corset is extremely uncomfortable.

That, for me, actually is the most important thing about doing a period film is trying to make these people as lovable as they are back then.

As beautiful as cinema is, it’s a massive part of the problem of why we look at ourselves in the way we do.

I think there’s always some good reason to try and modernize most period things, because at the end of the day, they may have,

If you look at it, the corset is a very beautiful item, but when I put one on, I realized how little you could actually move.

During the Me Too breakthrough, I was hanging out with Emma Thompson and Emily Watson – two people I’ve looked up to my entire life. Talking to those women was so empowering.

The Falling’ was a big, flashy, bizarre experience. I kept on saying at the time it was a fluke because I did the audition, and I didn’t think anything would come of it.

I think it’s good to not edit your life too much, or you give people different standards.

I remember being about six years old, for the first day of school, and sitting in the back of a Chrysler, pretending to cry while listening to Tracy Chapman.

I like a face that hasn’t been tampered with.

What’s important is to listen before you react.

Once I get comfortable and feel a part of what I’m doing.

Richelieu is not a villain, in his own mind. He’s doing what he needs to do.

She’s been doing Trip to Bountiful for four months, and it still feels real.

To doing it all on my own and questioning what I’m doing.

I just had one of those ‘what the hell are we doing’ moments.

It makes you feel really comfortable when someone is like, I’m not going to touch what you’re doing.

They will both let you know when you’re doing things the right way for you. And when you’re not. You just need to be honest with yourself and listen to what they’re saying.

I am open to doing anything.