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The one thing that I always try and take with me, if there’s, like, a remake, or you’re doing something again, is that every generation has a new story to tell.

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Why shouldn’t there be more epic, brilliant female characters onscreen?
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The women I’m attracted to playing I hope will mean something to someone.
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What audiences love with series is that they can invest in characters for such a long period of time, and it’s the same for actors. You can truly tell your story; then it’s done.
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In ‘Fighting With My Family,’ there’s a scene where I have to wrestle; I have to do the famous fight between Paige and AJ Lee.
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I know that my way of tackling a character is very different.
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I played Mary at the age of seven in my first nativity play, and I loved it – there is something so fascinating about embodying someone else.
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Amazing, obviously. She’s been my idol since I re-enacted ‘Titanic’ and fell in love with Leo. And it’s a privilege to be called the next anything. But I suppose to be the next you is all you can do.
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Sometimes in the real world, there is fire between people.
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I like a role where some of the character’s motivations are confusing or at least interesting.
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I don’t want to feel like I have to change myself or my image.
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Lady Macbeth’ is a great opportunity for me to prove that maybe the outcome of ‘The Falling’ was not necessarily a fluke.
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The Falling’ was a big, flashy, bizarre experience. I kept on saying at the time it was a fluke because I did the audition, and I didn’t think anything would come of it.
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I am learning on every job I do. There is something new every time.
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I can definitely hold my hands up and say wrestling wasn’t something that I grew up watching.
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If you look at it, the corset is a very beautiful item, but when I put one on, I realized how little you could actually move.
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The Silence of the Lambs’ is my favourite book, favourite film.
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