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During the Me Too breakthrough, I was hanging out with Emma Thompson and Emily Watson – two people I’ve looked up to my entire life. Talking to those women was so empowering.

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As an actor, it’s very interesting to make the audience love you while you are doing horrendous things.
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For me, it’s always been so obvious that the less we can edit our lives and more we show how normal we all are, the better.
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I remember being about six years old, for the first day of school, and sitting in the back of a Chrysler, pretending to cry while listening to Tracy Chapman.
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I think there’s always some good reason to try and modernize most period things, because at the end of the day, they may have,
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I suppose, used a different language or a different etiquette, but ultimately, these are still people that loved and breathed and lived and ate and weed and pooed just like we do now.
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I played Mary at the age of seven in my first nativity play, and I loved it – there is something so fascinating about embodying someone else.
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The whole wrestling art, it’s a whole form, is performance, and that’s what makes it so exciting to do.
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We’re learning things every decade we grow through, and ultimately, you do end up with a different way of looking at things.
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When you’re given a platform, and you’re allowed to perform, and someone’s there to heighten you as opposed to dampen you, that’s a nice feeling.
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Why shouldn’t there be more epic, brilliant female characters onscreen?
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I am learning on every job I do. There is something new every time.
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I can’t remember a Friday when I was younger when I wasn’t eating a pizza, flirting with the barman.
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If I can make my mark just a little bit, then great.
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I have learned how to wrestle. You end up battered and blue – but so happy.
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I used to reenact ‘Titanic’ all the time.
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Lady Macbeth’ is a great opportunity for me to prove that maybe the outcome of ‘The Falling’ was not necessarily a fluke.
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I like a face that hasn’t been tampered with.
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I grew up in a very loud family where you had to fight to get your voice heard, in a good way.
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And I’m a very physical person: I talk with my hands. And I felt how the clothes took that away from me. And that was the idea, I think. It was a way of limiting women.
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I think it’s so interesting which ways your career can go. I would have been a completely different actor doing a completely different story, and I would have missed ‘Lady Macbeth.’
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Sometimes in the real world, there is fire between people.
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The Silence of the Lambs’ is my favourite book, favourite film.
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It’s always shocking when you see a modern woman in a period story line. It doesn’t make sense.
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I wrestled at the Staples Centre at ‘Monday Night Raw’ when I was 21 years old.
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As beautiful as cinema is, it’s a massive part of the problem of why we look at ourselves in the way we do.
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You never see a normal spot, a bag under the eye or an unplucked eyebrow, because that’s not how Hollywood works.
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I have been enormously lucky. My first role was in a great film by a woman director.
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