Once I had told her that I would rather see a museum bombed than a book underlined, but she dismissed my argument as mere sentimentality. She marked her books so that stunning images and ideas would not be lost to her.
Do you think that Hemingway knew he was a writer at twenty years old? No, he did not. Or Fitzgerald, or Wolfe. This is a difficult concept to grasp. Hemingway didn’t know he was Ernest Hemingway when he was a young man.
It did not look like the work of God, but it might have represented the handicraft of a God with a joyous sense of humor, a dancing God who loved mischief as much as prayer, and playfulness as much as mischief.
Political correctness has a stranglehold on academia, on feminism, and on the media. It is a form of both madness and maggotry, and has already silenced the voices of writers like James Dicky across the land.
Red Hook Road made me happy, and happy to be alive. It took me out of my home on the coast of South Carolina, placed me in the town along Red hook Road, and changed me the way good books always do.
I had come to a place where I was meant to be. I don’t mean anything so prosaic as a sense of coming home. This was different, very different. It was like arriving at a place much safer than home.
We die long before women do, with our hearts exploding or our blood pressure rising or our livers eaten away by alcohol because that lake of grief inside us has no outlet.
Here’s what I love: when a great writer turns me into a Jew from Chicago, a lesbian out of South Carolina, or a black woman moving into a subway entrance in Harlem. Turn me into something else, writers of the world. Make me Muslim, heretic, hermaphrodite.
