Literature is one of the few areas left where black and white feel some identity of purpose; we all struggle under censorship.
NADINE GORDIMERI don’t think I am a citizen of the world; I am very much a citizen of my own country. But my own country is closely related to other parts of the world and influenced by what happens there.
More Nadine Gordimer Quotes
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Learning to write sent me falling, falling through the surface of the South African way of life.
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The gap between the committed and the indifferent is a Sahara whose faint trails, followed by the mind’s eye only, fade out in sand.
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About the joys and the courage, I really don’t know what other people think. I just know that I’ve never left Africa. I’ve lived there all my life. And one of the wonderful things, in spite of all the terrible things that happen in South Africa, is the way people continue to keep their dignity.
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In a certain sense a writer is ‘selected’ by his subject – his subject being the consciousness of his own era.
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Sincerity is never having an idea of oneself.
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When I was a child, we seemed to be living in a world remote from the rest of the world. But television has made a great difference to all of us.
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From Ernest Hemingway’s stories I learned to listen within my stories for what went unsaid by my characters.
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As writers, we are exploring the mystery, the mystery of existence.
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Exile as a mode of genius no longer exists; in place of Joyce we have the fragments of work appearing in Index on Censorship.
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The Communist Party is very popular in South Africa, especially among the young people. Never having had a chance to travel, and having suffered so much under capitalism, they still can’t believe that the Russian people themselves have rejected it.
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One can’t measure how a mood of confidence comes about.
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Nothing fades so quickly as what is unchanged.
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Well, you know, in the fundamentalist milieu of the Afrikaners, there was a sense that they were a chosen people, that they were bringing civilization to the blacks.
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If one will always have to feel white first, and African second, it would be better not to stay on in Africa.
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Any writer of any worth at all hopes to play only a pocket-torch of light – and rarely, through genius, a sudden flambeau – into the bloody yet beautiful labyrinth of human experience, of being.
NADINE GORDIMER