Writing is making sense of life. You work your whole life and perhaps you’ve made sense of one small area.
NADINE GORDIMERIf I dreamt this, while walking, walking in the London streets, the subconscious of each and every other life, past and present, brushing me in passing, what makes it real? Writing it down.
More Nadine Gordimer Quotes
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I’m a candle flame that sways in currents of air you can’t see. You need to be the one who steadies me to burn.
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Humans, the only self-regarding animals, blessed or cursed with this torturing higher faculty, have always wanted to know why.
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The tension between standing apart, and being fully involved; that is what makes a writer.
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a writer doesn’t only need the time when he’s actually writing – he or she has got to have time to think and time just to let things work out. Nothing is worse for this than society. Nothing is worse for this than the abrasive, if enjoyable, effect of other people.
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September 2001. A sunny day in New York. Many of us who are writers were at work on the transformation of life into a poem, story, a chapter of a novel, when terror pounced from the sky, and the world made witness to it.
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Censorship may have to do with literature; but literature has nothing whatever to do with censorship.
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Mostly I’m interviewed by white people, and identified with white society.
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in writing, sex doesn’t matter; it’s the writing that matters.
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Writers themselves don’t analyze what they do; to analyze would be to look down while crossing a canyon on a tightrope.
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It’s absolutely fatal to your writing to think about how your work will be received. It’s a betrayal of whatever talent you have.
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All worthwhile writing… comes from an individual vision, privately pursued.
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I cannot live with someone who can’t live without me.
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Keenness of hearing revives when one is alone.
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In a country like South Africa, writers have nuisance value, because those of us who have become known overseas have certainly helped to inform people about what life is like there.
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In various and different circumstances certain objects and individuals are going to turn out to be vital. The wager of survival cannot, by its nature, reveal which, in advance of events.
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One can’t measure how a mood of confidence comes about.
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If you live in Europe . . . things change . . . but continuity never seems to break. You don’t have to throw the past away.
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I never talk about what I’m writing about currently, never. It’s private work on your own, no need or obligation to talk about it. Writers are made into performers these days, including myself, but there are some instances in which I will not perform.
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Perhaps the best way to write is to do so as if one were already dead, afraid of no one’s reactions, answerable to no one’s views.
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The primacy of the word, basis of the human psyche, that has in our age been used for mind-bending persuasion and brain-washing pulp, disgraced by Gobbles and debased by advertising copy, remains a force for freedom that flies out between all bars.
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Any writer of any worth at all hopes to play only a pocket-torch of light – and rarely, through genius, a sudden flambeau – into the bloody yet beautiful labyrinth of human experience, of being.
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Writing is always a voyage of discovery.
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I shall never write an autobiography, I’m much too jealous of my privacy for that.
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The caged eagle become a metaphor for all forms of isolation, the ultimate in imprisonment. A zoo is prison.
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The Communist Party is very popular in South Africa, especially among the young people. Never having had a chance to travel, and having suffered so much under capitalism, they still can’t believe that the Russian people themselves have rejected it.
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Can you imagine writers influencing things in America? Can you imagine a writer in England influencing? Absolutely not. And in France? It used to be, but no more – absolutely not. France used to, at least, have writers as diplomats, but not any more.
NADINE GORDIMER