From even the greatest of horrors, irony is seldom absent.
H. P. LOVECRAFTHorror and the unknown or the strange are always closely connected so that it is hard to create a convincing picture of shattered natural law or cosmic alienage or ‘outsideness’ without laying stress on the emotion of fear.
More H. P. Lovecraft Quotes
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The man or nation of high culture may acknowledge to great lengths the restraints imposed by conventions and honour, but beyond a certain point, primitive will or desire cannot be curbed.
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But more wonderful than the lore of old men and the lore of books is the secret lore of ocean.
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A dog is a pitiful thing, depending wholly on companionship, and utterly lost except in packs or by the side of his master. Leave him alone, and he does not know what to do except bark and howl and trot about till sheer exhaustion forces him to sleep.
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I fear my enthusiasm flags when real work is demanded of me.
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If I could create an ideal world, it would be an England with the fire of the Elizabethans, the correct taste of the Georgians, and the refinement and pure ideals of the Victorians.
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The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown.
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I am essentially a recluse who will have very little to do with people wherever he may be. I think that most people only make me nervous – that only by accident, and in extremely small quantities, would I ever be likely to come across people who wouldn’t.
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No formal course in fiction-writing can equal a close and observant perusal of the stories of Edgar Allan Poe or Ambrose Bierce.
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The real lover of cats is one who demands a clearer adjustment to the universe than ordinary household platitudes provide; one who refuses to swallow the sentimental notion that all good people love dogs, children, and horses while all bad people dislike and are disliked by such.
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Unhappy is he to whom the memories of childhood bring only fear and sadness.
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Man’s respect for the imponderables varies according to his mental constitution and environment. Through certain modes of thought and training, it can be elevated tremendously, yet there is always a limit.
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My nervous system is a shattered wreck, and I am absolutely bored and listless save when I come upon something which peculiarly interests me.
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Horrors, I believe, should be original – the use of common myths and legends being a weakening influence.
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It would not be amiss for the novice to write the last paragraph of his story first, once a synopsis of the plot has been carefully prepared – as it always should be.
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Write out the story – rapidly, fluently, and not too critically – following the second or narrative-order synopsis. Change incidents and plot whenever the developing process seems to suggest such change, never being bound by any previous design.
H. P. LOVECRAFT






