The real lover of cats is one who demands a clearer adjustment to the universe than ordinary household platitudes provide; one who refuses to swallow the sentimental notion that all good people love dogs, children, and horses while all bad people dislike and are disliked by such.
H. P. LOVECRAFTMan’s respect for the imponderables varies according to his mental constitution and environment. Through certain modes of thought and training, it can be elevated tremendously, yet there is always a limit.
More H. P. Lovecraft Quotes
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If I could create an ideal world, it would be an England with the fire of the Elizabethans, the correct taste of the Georgians, and the refinement and pure ideals of the Victorians.
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I have concluded that Literature is no proper pursuit for a gentleman and that Writing ought never to be consider’d but as an elegant Accomplishment to be indulg’d in with infrequency and Discrimination.
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The man or nation of high culture may acknowledge to great lengths the restraints imposed by conventions and honour, but beyond a certain point, primitive will or desire cannot be curbed.
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We shall see that at which dogs howl in the dark, and that at which cats prick up their ears after midnight.
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The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown.
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I am disillusioned enough to know that no man’s opinion on any subject is worth a damn unless backed up with enough genuine information to make him really know what he’s talking about.
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The most merciful thing in the world, is the inability of the human mind to correlate all its contents.
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All of my tales are based on the fundamental premise that common human laws and emotions have no validity or significance in the cosmos-at-large.
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What a man does for pay is of little significance. What he is, as a sensitive instrument responsive to the world’s beauty, is everything!
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Fear is our deepest and strongest emotion, and the one which best lends itself to the creation of nature-defying illusions.
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Horror and the unknown or the strange are always closely connected so that it is hard to create a convincing picture of shattered natural law or cosmic alienage or ‘outsideness’ without laying stress on the emotion of fear.
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The process of delving into the black abyss is to me the keenest form of fascination.
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No formal course in fiction-writing can equal a close and observant perusal of the stories of Edgar Allan Poe or Ambrose Bierce.
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I never ask a man what his business is, for it never interests me. What I ask him about are his thoughts and dreams.
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Bunch together a group of people deliberately chosen for strong religious feelings, and you have a practical guarantee of dark morbidities expressed in crime, perversion, and insanity.
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Life is a hideous thing, and from the background behind what we know of it peer daemoniacal hints of truth which make it sometimes a thousandfold more hideous.
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There be those who say that things and places have souls, and there be those who say they have not; I dare not say, myself, but I will tell of The Street.
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One cannot be too careful in the selection of adjectives for descriptions. Words or compounds which describe precisely, and which convey exactly the right suggestions to the mind of the reader, are essential.
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In writing a weird story, I always try very carefully to achieve the right mood and atmosphere and place the emphasis where it belongs.
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Searchers after horror haunt strange, far places.
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The cat is such a perfect symbol of beauty and superiority that it seems scarcely possible for any true aesthete and civilised cynic to do other than worship it.
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That metre itself forms an essential part of all true poetry is a principle which not even the assertions of an Aristotle or the pronouncements of a Plato can disestablish.
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One can never produce anything as terrible and impressive as one can awesomely hint about.
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But are not the dreams of poets and the tales of travellers notoriously false?
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I could not write about ‘ordinary people’ because I am not in the least interested in them.
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There are not many persons who know what wonders are opened to them in the stories and visions of their youth; for when as children we listen and dream, we think but half-formed thoughts, and when as men we try to remember, we are dulled and prosaic with the poison of life.
H. P. LOVECRAFT