Children, old crones, peasants, and dogs ramble; cats and philosophers stick to their point.
H. P. LOVECRAFTThe sole ultimate factor in human decisions is physical force. This we must learn, however repugnant the idea may seem, if we are to protect ourselves and our institutions. Reliance on anything else is fallacious and ruinous.
More H. P. Lovecraft Quotes
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We should perceive that man’s period of historical existence, a period so short that his physical constitution has not been altered in the slightest degree, is insufficient to allow of any considerable mental change.
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I never ask a man what his business is, for it never interests me. What I ask him about are his thoughts and dreams.
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The real lover of cats is one who demands a clearer adjustment to the universe than ordinary household platitudes provide; one who refuses to swallow the sentimental notion that all good people love dogs, children, and horses while all bad people dislike and are disliked by such.
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Truth is of no practical value to mankind save as it affects terrestrial phenomena, hence the discoveries of science should be concealed or glossed over wherever they conflict with orthodoxy.
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Certain of Poe’s tales possess an almost absolute perfection of artistic form which makes them veritable beacon-lights in the province of the short story.
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Fear is our deepest and strongest emotion, and the one which best lends itself to the creation of nature-defying illusions.
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I do not think that any realism is beautiful.
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The ‘punch’ of a truly weird tale is simply some violation or transcending of fixed cosmic law – an imaginative escape from palling reality – hence, phenomena rather than persons are the logical ‘heroes.’
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A dog is a pitiful thing, depending wholly on companionship, and utterly lost except in packs or by the side of his master. Leave him alone, and he does not know what to do except bark and howl and trot about till sheer exhaustion forces him to sleep.
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There be those who say that things and places have souls, and there be those who say they have not; I dare not say, myself, but I will tell of The Street.
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But are not the dreams of poets and the tales of travellers notoriously false?
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The appeal of the spectrally macabre is generally narrow because it demands from the reader a certain degree of imagination and a capacity for detachment from everyday life.
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Unhappy is he to whom the memories of childhood bring only fear and sadness.
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Never should an unfamiliar word be passed over without elucidation, for, with a little conscientious research, we may each day add to our conquests in the realm of philology and become more and more ready for graceful independent expression.
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Write out the story – rapidly, fluently, and not too critically – following the second or narrative-order synopsis. Change incidents and plot whenever the developing process seems to suggest such change, never being bound by any previous design.
H. P. LOVECRAFT