The reason why time plays a great part in so many of my tales is that this element looms up in my mind as the most profoundly dramatic and grimly terrible thing in the universe.
H. P. LOVECRAFTThe real lover of cats is one who demands a clearer adjustment to the universe than ordinary household platitudes provide; one who refuses to swallow the sentimental notion that all good people love dogs, children, and horses while all bad people dislike and are disliked by such.
More H. P. Lovecraft Quotes
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Never should an unfamiliar word be passed over without elucidation, for, with a little conscientious research, we may each day add to our conquests in the realm of philology and become more and more ready for graceful independent expression.
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The cat is such a perfect symbol of beauty and superiority that it seems scarcely possible for any true aesthete and civilised cynic to do other than worship it.
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Blue, green, grey, white, or black; smooth, ruffled, or mountainous; that ocean is not silent.
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The cat is classic whilst the dog is Gothic – nowhere in the animal world can we discover such really Hellenic perfection of form, with anatomy adapted to function, as in the felidae.
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Write out the story – rapidly, fluently, and not too critically – following the second or narrative-order synopsis. Change incidents and plot whenever the developing process seems to suggest such change, never being bound by any previous design.
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The appeal of the spectrally macabre is generally narrow because it demands from the reader a certain degree of imagination and a capacity for detachment from everyday life.
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Truth is of no practical value to mankind save as it affects terrestrial phenomena, hence the discoveries of science should be concealed or glossed over wherever they conflict with orthodoxy.
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But are not the dreams of poets and the tales of travellers notoriously false?
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The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown.
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A dog is a pitiful thing, depending wholly on companionship, and utterly lost except in packs or by the side of his master. Leave him alone, and he does not know what to do except bark and howl and trot about till sheer exhaustion forces him to sleep.
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But more wonderful than the lore of old men and the lore of books is the secret lore of ocean.
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Horror and the unknown or the strange are always closely connected so that it is hard to create a convincing picture of shattered natural law or cosmic alienage or ‘outsideness’ without laying stress on the emotion of fear.
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I couldn’t live a week without a private library – indeed, I’d part with all my furniture and squat and sleep on the floor before I’d let go of the 1500 or so books I possess.
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I am well-nigh resolv’d to write no more tales but merely to dream when I have a mind to, not stopping to do anything so vulgar as to set down the dream for a boarish Publick.
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No formal course in fiction-writing can equal a close and observant perusal of the stories of Edgar Allan Poe or Ambrose Bierce.
H. P. LOVECRAFT






