“I do not think that any realism is beautiful.”

That metre itself forms an essential part of all true poetry is a principle which not even the assertions of an Aristotle or the pronouncements of a Plato can disestablish.

Cosmic terror appears as an ingredient of the earliest folklore of all races and is crystallised in the most archaic ballads, chronicles, and sacred writings.

Orthodox Christianity, by playing upon the emotions of man, is able to accomplish wonders toward keeping him in order and relieving his mind. It can frighten or cajole him away from evil more effectively than could reason.

Searchers after horror haunt strange, far places.

I am not very proud of being an human being; in fact, I distinctly dislike the species in many ways. I can readily conceive of beings vastly superior in every respect.

Horrors, I believe, should be original – the use of common myths and legends being a weakening influence.

But are not the dreams of poets and the tales of travellers notoriously false?

Fear is our deepest and strongest emotion, and the one which best lends itself to the creation of nature-defying illusions.

If I could create an ideal world, it would be an England with the fire of the Elizabethans, the correct taste of the Georgians, and the refinement and pure ideals of the Victorians.

Toil without song is like a weary journey without an end.

Children, old crones, peasants, and dogs ramble; cats and philosophers stick to their point.

I could not write about ‘ordinary people’ because I am not in the least interested in them.

Adulthood is hell.

Life is a hideous thing, and from the background behind what we know of it peer daemoniacal hints of truth which make it sometimes a thousandfold more hideous.

Man’s respect for the imponderables varies according to his mental constitution and environment. Through certain modes of thought and training, it can be elevated tremendously, yet there is always a limit.

To the scientist there is the joy in pursuing truth which nearly counteracts the depressing revelations of truth.

I like not only to be loved, but to be told that I am loved; the realm of silence is large enough beyond the grave.

I don’t want realism. I want magic!

I have always loved magic realism as a form of writing.

People want to see realism in action now.

People want to see realism in action now.

I enjoy the realism of action more.

When I use the term “complex realism”, what I’m suggesting is that the writer must be realist, always realist, but not realist in the sense we have usually used the term in literature.