I am essentially a recluse who will have very little to do with people wherever he may be. I think that most people only make me nervous – that only by accident, and in extremely small quantities, would I ever be likely to come across people who wouldn’t.
H. P. LOVECRAFTI am disillusioned enough to know that no man’s opinion on any subject is worth a damn unless backed up with enough genuine information to make him really know what he’s talking about.
More H. P. Lovecraft Quotes
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No formal course in fiction-writing can equal a close and observant perusal of the stories of Edgar Allan Poe or Ambrose Bierce.
H. P. LOVECRAFT -
What a man does for pay is of little significance. What he is, as a sensitive instrument responsive to the world’s beauty, is everything!
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From even the greatest of horrors, irony is seldom absent.
H. P. LOVECRAFT -
I am well-nigh resolv’d to write no more tales but merely to dream when I have a mind to, not stopping to do anything so vulgar as to set down the dream for a boarish Publick.
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A dog is a pitiful thing, depending wholly on companionship, and utterly lost except in packs or by the side of his master. Leave him alone, and he does not know what to do except bark and howl and trot about till sheer exhaustion forces him to sleep.
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Adulthood is hell.
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The cat is classic whilst the dog is Gothic – nowhere in the animal world can we discover such really Hellenic perfection of form, with anatomy adapted to function, as in the felidae.
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One cannot be too careful in the selection of adjectives for descriptions. Words or compounds which describe precisely, and which convey exactly the right suggestions to the mind of the reader, are essential.
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One superlatively important effect of wide reading is the enlargement of vocabulary which always accompanies it.
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Write out the story – rapidly, fluently, and not too critically – following the second or narrative-order synopsis. Change incidents and plot whenever the developing process seems to suggest such change, never being bound by any previous design.
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Searchers after horror haunt strange, far places.
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In writing a weird story, I always try very carefully to achieve the right mood and atmosphere and place the emphasis where it belongs.
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The ‘punch’ of a truly weird tale is simply some violation or transcending of fixed cosmic law – an imaginative escape from palling reality – hence, phenomena rather than persons are the logical ‘heroes.’
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From my experience, I cannot doubt but that man, when lost to terrestrial consciousness, is indeed sojourning in another and uncorporeal life of far different nature from the life we know; and of which only the slightest and most indistinct memories linger after waking.
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To me, there is nothing but puerility in a tale in which the human form – and local human passions and conditions and standards – are depicted as native to other worlds and universes.
H. P. LOVECRAFT






