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It was in the 1920s, when nobody had time to reflect, that I saw a still-life painting with a flower that was perfectly exquisite, but so small you really could not appreciate it.

Georgia O'Keeffe

It was all so far away – there was quiet and an untouched feel to the country and I could work as I pleased.
GEORGIA O'KEEFFE

All Away Country Please Quite Untouch Work
To create one’s world in any of the arts takes courage.
GEORGIA O'KEEFFE

Art Courage Create One World
I know now that most people are so closely concerned with themselves that they are not aware of their own individuality, I can see myself, and it has helped me to say what I want to say in paint.
GEORGIA O'KEEFFE

Aware Closely Concerned Help Individual Paint People Themselves
I hate flowers – I paint them because they’re cheaper than models and they don’t move.
GEORGIA O'KEEFFE

Cheaper Flower Hate Model Move Paint
I often lay on that bench looking up into the tree, past the trunk and up into the branches. It was particularly fine at night with the stars above the tree.
GEORGIA O'KEEFFE

Bench Branch Lay Often Particular Storm Tree Trunk
I feel there is something unexplored about woman that only a woman can explore.
GEORGIA O'KEEFFE

Feel Something Unexplored Women
I often painted fragments of things because it seemed to make my statement as well as or better than the whole could.
GEORGIA O'KEEFFE

Better Fragment Make Paint Seem Statement Thing Well Whole
When you take a flower in your hand and really look at it, it’s your world for the moment.
GEORGIA O'KEEFFE

Flower Hand Look Moment Really When World
I believe I would rather have Stieglitz like something – anything I had done – than anyone else I know.
GEORGIA O'KEEFFE

Anyone Believe Like Rather Something
It was in the 1920s, when nobody had time to reflect, that I saw a still-life painting with a flower that was perfectly exquisite, but so small you really could not appreciate it.
GEORGIA O'KEEFFE

Appreciate Flower Nobody Paint Perfect Really Reflect Small Time
I decided that if I could paint that flower in a huge scale, you could not ignore its beauty.
GEORGIA O'KEEFFE

Beauty Could Decide Flower Huge Ignore Paint Scale
I have things in my head that are not like what anyone has taught me – shapes and ideas so near to me – so natural to my way of being and thinking that it hasn’t occurred to me to put them down.
GEORGIA O'KEEFFE

Anyone Down Head Idea Natural Occur Shape Taught Thing Think
I don’t very much enjoy looking at paintings in general. I know too much about them. I take them apart.
GEORGIA O'KEEFFE

Apart Enjoy General Look Much Paint Too
I’ve been absolutely terrified every moment of my life – and I’ve never let it keep me from doing a single thing I wanted to do.
GEORGIA O'KEEFFE

Absolute Keep Life Me Single Terrified Verb Want
I had to create an equivalent for what I felt about what I was looking at – not copy it.
GEORGIA O'KEEFFE

Copy Create Equivalent Look
The days you work are the best days.
GEORGIA O'KEEFFE

Day Work Vest

It was in the 1920s, when nobody had time to reflect, that I saw a still-life painting with a flower that was perfectly exquisite, but so small you really could not appreciate it.

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It was in the 1920s, when nobody had time to reflect, that I saw a still-life painting with a flower that was perfectly exquisite, but so small you really could not appreciate it.

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Popular Authors

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