One can’t paint New York as it is, but rather as it is felt.
GEORGIA O'KEEFFE- I believe I would rather have Stieglitz like something – anything I had done – than anyone else I know.
GEORGIA O'KEEFFE
- black
- grey
- blue
- red
- brown
- white
I believe I would rather have Stieglitz like something – anything I had done – than anyone else I know.
More Georgia O'Keeffe Quotes
-
One can’t paint New York as it is, but rather as it is felt.
GEORGIA O'KEEFFE -
The days you work are the best days.
GEORGIA O'KEEFFEThe days you work are the best days.
GEORGIA O'KEEFFE -
Anyone who doesn’t feel the crosses simply doesn’t get that country.
GEORGIA O'KEEFFEAnyone who doesn’t feel the crosses simply doesn’t get that country.
GEORGIA O'KEEFFE -
I often lay on that bench looking up into the tree, past the trunk and up into the branches. It was particularly fine at night with the stars above the tree.
GEORGIA O'KEEFFEI often lay on that bench looking up into the tree, past the trunk and up into the branches. It was particularly fine at night with the stars above the tree.
GEORGIA O'KEEFFE -
Marks on paper are free – free speech – press – pictures all go together I suppose.
GEORGIA O'KEEFFEMarks on paper are free – free speech – press – pictures all go together I suppose.
GEORGIA O'KEEFFE -
I hate flowers – I paint them because they’re cheaper than models and they don’t move.
GEORGIA O'KEEFFE -
I decided to start anew, to strip away what I had been taught.
GEORGIA O'KEEFFEI decided to start anew, to strip away what I had been taught.
GEORGIA O'KEEFFE -
Sun-bleached bones were most wonderful against the blue – that blue that will always be there as it is now after all man’s destruction is finished.
GEORGIA O'KEEFFESun-bleached bones were most wonderful against the blue – that blue that will always be there as it is now after all man’s destruction is finished.
GEORGIA O'KEEFFE -
I feel there is something unexplored about woman that only a woman can explore.
GEORGIA O'KEEFFEI feel there is something unexplored about woman that only a woman can explore.
GEORGIA O'KEEFFE -
Nobody sees a flower really; it is so small. We haven’t time, and to see takes time – like to have a friend takes time.
GEORGIA O'KEEFFENobody sees a flower really; it is so small. We haven’t time, and to see takes time – like to have a friend takes time.
GEORGIA O'KEEFFE -
I said to myself, I have things in my head that are not like what anyone has taught me – shapes and ideas so near to me – so natural to my way of being and thinking that it hasn’t occurred to me to put them down.
GEORGIA O'KEEFFEI said to myself, I have things in my head that are not like what anyone has taught me – shapes and ideas so near to me – so natural to my way of being and thinking that it hasn’t occurred to me to put them down.
GEORGIA O'KEEFFE -
I decided that if I could paint that flower in a huge scale, you could not ignore its beauty.
GEORGIA O'KEEFFEI decided that if I could paint that flower in a huge scale, you could not ignore its beauty.
GEORGIA O'KEEFFE -
Singing has always seemed to me the most perfect means of expression. It is so spontaneous. And after singing, I think the violin. Since I cannot sing, I paint.
GEORGIA O'KEEFFESinging has always seemed to me the most perfect means of expression. It is so spontaneous. And after singing, I think the violin. Since I cannot sing, I paint.
GEORGIA O'KEEFFE -
I have things in my head that are not like what anyone has taught me – shapes and ideas so near to me – so natural to my way of being and thinking that it hasn’t occurred to me to put them down.
GEORGIA O'KEEFFEI have things in my head that are not like what anyone has taught me – shapes and ideas so near to me – so natural to my way of being and thinking that it hasn’t occurred to me to put them down.
GEORGIA O'KEEFFE -
It was in the 1920s, when nobody had time to reflect, that I saw a still-life painting with a flower that was perfectly exquisite, but so small you really could not appreciate it.
GEORGIA O'KEEFFEIt was in the 1920s, when nobody had time to reflect, that I saw a still-life painting with a flower that was perfectly exquisite, but so small you really could not appreciate it.
GEORGIA O'KEEFFE -
I had to create an equivalent for what I felt about what I was looking at – not copy it.
GEORGIA O'KEEFFEI had to create an equivalent for what I felt about what I was looking at – not copy it.
GEORGIA O'KEEFFE


