I’ve always juggled a lot of projects because at least half the projects you do get shelved.
ALAN MENKENAnd all these people really wanted to reinvigorate the animated musical, so they came to Howard Ashman and me. That was my entry into Disney.
More Alan Menken Quotes
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Everything else is relative levels of hell.
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If you write enough musicals you pretty much have a sense of where they should go.
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It’s purely a business, but it is still so important to me emotionally.
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I don’t write songs for myself anymore. I only write songs on assignment.
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So there are more songs on the stage because the songs are kind of the close up.
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So, pretty much you approach the songs in pretty much the same way.
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It’s easier to do it in a collaboration than on your own.
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What brought me to Disney was the new regime, which is now the old regime, came over with Michael Eisner, Frank Wells, Jeffrey Katzenberg.
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The best parts about writing a show are [its] first, second and 10th anniversaries.
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And all these people really wanted to reinvigorate the animated musical, so they came to Howard Ashman and me. That was my entry into Disney.
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What you’ll need, and when; how to pull people on that journey.
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And, it’s also about spurring each other on to doing really great, hard work.
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The difference might be that in a film you have a close up. On stage you don’t.
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Having a tradition is a great thing to work within, and maybe today [it] is the only way to really land musically dramatic work.
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I’ve been very fortunate as a composer to be involved with projects that have really propelled my scores forward. I’m very proud of it.
ALAN MENKEN