Everything else is relative levels of hell.
ALAN MENKENWhat brought me to Disney was the new regime, which is now the old regime, came over with Michael Eisner, Frank Wells, Jeffrey Katzenberg.
More Alan Menken Quotes
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Having a tradition is a great thing to work within, and maybe today [it] is the only way to really land musically dramatic work.
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So there are more songs on the stage because the songs are kind of the close up.
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I’ve always juggled a lot of projects because at least half the projects you do get shelved.
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It’s purely a business, but it is still so important to me emotionally.
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What brought me to Disney was the new regime, which is now the old regime, came over with Michael Eisner, Frank Wells, Jeffrey Katzenberg.
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It’s easier to do it in a collaboration than on your own.
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So you have to do a lot of things in order for things to move forward.
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The best parts about writing a show are [its] first, second and 10th anniversaries.
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If you write enough musicals you pretty much have a sense of where they should go.
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I’ve been very fortunate as a composer to be involved with projects that have really propelled my scores forward. I’m very proud of it.
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And all these people really wanted to reinvigorate the animated musical, so they came to Howard Ashman and me. That was my entry into Disney.
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What you’ll need, and when; how to pull people on that journey.
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Whether it’s animated, whether it’s live-action, whether it’s Broadway, whether it’s television, a musical is a musical is a musical.
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And, it’s also about spurring each other on to doing really great, hard work.
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Collaboration is all about rewriting and rewriting and rewriting and helping each other to constantly improve a piece.
ALAN MENKEN