It’s actually quite a good ethos for life: go into the unknown with truth, commitment, and openness and mostly you’ll be okay.
ALAN CUMMINGI actually find in America, there’s a slight snobbery about actors who go back and forth between big heavy dramas and popcorn fare. That always intrigues me, because that doesn’t exist in the same way in Britain. And I imagine it would be worse.
More Alan Cumming Quotes
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You can feel it coming and you can see where it is going to take you but you are powerless, utterly powerless to stop it. I know now.
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A sweaty Macbeth with blood on his arms coming in fresh from the battle doesn’t interest me.
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Kids are more genuine. When they come up and want to talk to you, they don’t have an agenda. It’s more endearing and less piercing to your aura.
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I think people deny themselves by putting themselves into categories.
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Romeo is the most misunderstood character in literature, I think. He’s hardcore to play because he’s displaying the characteristics of Hamlet at the beginning, and, well, then everything else happens.
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I’m not a fan of Twitter.
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Finally, the scariest thing about abuse of any shape or form, is, in my opinion, not the abuse itself, but that if it continues it can begin to feel commonplace and eventually acceptable.
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He … knew, in that instant, that his life would not be an easy one-he was different, he looked different, he thought differently.
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Performing a one-man Macbeth feels like the greatest challenge.
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In terms of the sort of class, and the sort of snobby, slightly on the back-foot thing Britain has. But it’s much more prevalent in America.
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It’s about how you exist as a person in the world, and the idea that your work is more important than you as a person is a horrible, horrible message.
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Often for me, if I hear a song I know, it clicks for me and I hear it in a different way and I think, “I could sing that song. I’ve got something to say about that song. Wanting to connect with an audience and wanting them to rethink songs.
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Usually, there’s a story I’ve told that leads up to why I’m singing the song. The whole concept of the show was about being authentic and connecting with these songs. The best way to do that was in a room with an audience and for people to listen to that.
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I like the tragedies way more than the comedies because they’re so universal.
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Some things are just really difficult to do. That’s what I find hard. I usually can find a way to do a character to make it real and work. But sometimes it’s a struggle sustaining that, because there’s such a level of personal involvement and personal, physical, and emotional distraughtness.
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