“Actors aren’t stupid, mostly, and if there’s a sensibility and an aesthetic that a director’s going for, if you’re aware of that too, you can do things to help that.”

You do get really exhausted doing films. You work such long hours, and after a while, things can get out of perspective, just like if anyone’s tired, things get on top of them.

I was horrified when Richard Chamberlain and Rupert Everett said gay actors should stay in the closet. They were saying to people that they should live a lie and not be liberated, to live in fear of being found out.

With all this stuff going on, with the “Don’t ask, don’t tell” and things like that, we are second-class citizens, definitely.

I always think about a little gay boy in Wisconsin or a little lesbian in Arkansas seeing someone like me, and if I cannot be open in my life, how on earth can they?

With Urban Secrets, I just really liked the idea of wandering around chatting to people.

Romeo is the most misunderstood character in literature, I think. He’s hardcore to play because he’s displaying the characteristics of Hamlet at the beginning, and, well, then everything else happens.

Be who you like as long as you mean it.

I actually find in America, there’s a slight snobbery about actors who go back and forth between big heavy dramas and popcorn fare. That always intrigues me, because that doesn’t exist in the same way in Britain. And I imagine it would be worse.

I like working on things that are very different and that involve different disguises.

If you are a cabaret artist and you are mostly singing other people’s songs, you’re asking them to rethink a song, listen to it in a different way. The most impact you can have while asking them to re-listen to a song is if it’s a song they know very well.

You can feel it coming and you can see where it is going to take you but you are powerless, utterly powerless to stop it. I know now.

I think American actors are much more intimidated by Shakespeare.

If the president of the country is not actually saying something, allowing equality to happen, how could you expect to counsel kids not to bully other kids?

You should *have* an experience; it shouldn’t just *be* an experience.

Most people will never know anything beyond what they see with their own two eyes.

You could then, when you lay that as the groundwork, say, “Here I am. This is what I think. I come in peace.” Then you’re able to push out, to be able to talk about more things. And that’s been a really heartening thing about my life, actually.

Nature holds the key to our aesthetic, intellectual, cognitive and even spiritual satisfaction.

Let architects sing of aesthetics that bring Rich clients in hordes to their knees.

I was once described by one of my critics as an aesthetic fascist.

A man obsessed: obsessed with perfection, sharing, aesthetics, taste, savoir-faire, and much more.

Our capacity to draw happiness from aesthetic objects or material goods in fact seems critically dependent on our first satisfying a more important range of emotional or psychological needs, among them the need for understanding, for love, expression and respect.

The aesthetic process decentres the specular relation with which ideology perpetuates its closed infinity.

The aesthetic effect is certainly imaginary; but this imaginary is not the reflection of the real, since it is the real of this reflection.

The best stroked putt in a lifetime does not bring the aesthetic satisfaction of a perfectly hit wood or iron shot.