“Performing a one-man Macbeth feels like the greatest challenge.”

Often for me, if I hear a song I know, it clicks for me and I hear it in a different way and I think, “I could sing that song. I’ve got something to say about that song. Wanting to connect with an audience and wanting them to rethink songs.

You do get really exhausted doing films. You work such long hours, and after a while, things can get out of perspective, just like if anyone’s tired, things get on top of them.

I was horrified when Richard Chamberlain and Rupert Everett said gay actors should stay in the closet. They were saying to people that they should live a lie and not be liberated, to live in fear of being found out.

With all this stuff going on, with the “Don’t ask, don’t tell” and things like that, we are second-class citizens, definitely.

I always think about a little gay boy in Wisconsin or a little lesbian in Arkansas seeing someone like me, and if I cannot be open in my life, how on earth can they?

With Urban Secrets, I just really liked the idea of wandering around chatting to people.

Romeo is the most misunderstood character in literature, I think. He’s hardcore to play because he’s displaying the characteristics of Hamlet at the beginning, and, well, then everything else happens.

Be who you like as long as you mean it.

I actually find in America, there’s a slight snobbery about actors who go back and forth between big heavy dramas and popcorn fare. That always intrigues me, because that doesn’t exist in the same way in Britain. And I imagine it would be worse.

I like working on things that are very different and that involve different disguises.

If you are a cabaret artist and you are mostly singing other people’s songs, you’re asking them to rethink a song, listen to it in a different way. The most impact you can have while asking them to re-listen to a song is if it’s a song they know very well.

You can feel it coming and you can see where it is going to take you but you are powerless, utterly powerless to stop it. I know now.

I think American actors are much more intimidated by Shakespeare.

Actors aren’t stupid, mostly, and if there’s a sensibility and an aesthetic that a director’s going for, if you’re aware of that too, you can do things to help that.

If the president of the country is not actually saying something, allowing equality to happen, how could you expect to counsel kids not to bully other kids?

You should *have* an experience; it shouldn’t just *be* an experience.

In the Indian film industry, especially those of us who are in mainstream cinema, we invariably play a typical hero’s role.

The one-word cinema wasn’t possible for me anymore. I’d hit a wall, a dead end. Therefore I thought I’d turn back.

I believe there’s only good cinema and bad cinema.

I didn’t go to the cinemas a lot as a kid.

Unfortunately, cinema critics are very few in America, 400-500 people, but there are more critics of Iran.

People have curiosity, they have intelligence, they have interest in understanding their peers. But producers and directors of cinema have decided that the seats in the theaters have been made to transform people’s minds to lazy minds.

The Iranian government as a whole has no relationship with my films. They’re not particularly interested, perhaps this kind of cinema is not very interesting to them.

Cinema seats make people lazy. They expect to be given all the information. But for me, question marks are the punctuation of life.