“I didn’t go to the cinemas a lot as a kid.”

In real life, I’m pretty much an eternal optimist.

A lot of people I make music with are really talented and it doesn’t stop at one instrument.

Playing different characters in different films helps keep you excited about what you do. It always seems like a whole new adventure.

I’ve been rapping since I was 18 years old, with a crew called Blades.

I think it’s really important to live in the moment.

Because I don’t have a child and as much as you can sort of imagine it it’s always nice to hear from all different walks of life what motherhood is like and what that feels like. And particularly young mothers.

I’m a bit hyperactive as an actor, I like to keep moving.

I’m pretty unusual for an actress in Hollywood because I am totally unselfconscious about my body.

A female’s career as an actor is very different from a male’s career as an actor. That’s just the way it is. So, I’m fascinated by really strong male careers that have inspired me, and also really incredible male roles.

I’m a vegetarian and very much active in regards to how I feel about animal rights and protecting animals and giving animals a voice.

I had an amazing childhood.

I don’t see the point in working just to be working.

I’ve got heaps of dreams.

Growing up on a farm was the best. I remember loving that expanse of space. The sky at night was so clear, I could see every star.

Making a movie is, for me, like painting. I just enjoy the care that goes into every brushstroke and the choice of every color. I enjoy the intensity of it.

I’m portable. I carry a laptop and a little recording studio on my back.

I live in cinema. I feel I’ve lived here forever.

When I started my first film, there were three women directors in France. Their films were OK, but I was different. It’s like when you start to jump and you put the pole very high – you have to jump very high. I thought, I have to use cinema as a language.

Good cinema is good cinema. It makes you feel like you need to work.

What puzzles most of us are the things which have been left in the movies rather than the things which have been taken out.

The future of cinema and communications is all about collaboration and the decentralized control of storytelling.

Cinema, heir of alchemy, last of an erotic science.

Cinema, heir of alchemy, last of an erotic science.

In the Indian film industry, especially those of us who are in mainstream cinema, we invariably play a typical hero’s role.