“I like acting for myself as a director. I act and I know that I’ll have a chance to have some say in what gets used and that I’ll be able to give myself enough takes and be on the same page as myself about how the scene should play.”

The thing about online gambling is that it’s never away, it’s always accessible. And so, if you have an issue with gambling, it’s designed to take advantage of that.

I feel like casting is the most important aspect of making movies.

People decided that I was the frat guy, even though I’ve never been inside a fraternity, or the guy who beat them up at school, even though that wasn’t me at all.

Such a senseless and tragic day. My family and I send our love to our beloved and resilient Boston.

I’m a writer. An amateur photographer. An actor.

I recognize that Hollywood is not about seniority. Often it’s not even a meritocracy. It’s about what you did yesterday. You have a couple of misses, and suddenly it’s impossible to find a hit. So the swings are gigantic. But I’ve always understood it as such, and navigated it as such.

If you think Hollywood is depressing and corrupt, politics is really depressing and corrupt — and fueled even more than Hollywood by money — if that’s possible.

Affleck was the bomb in Phantoms.

I just feel like sometimes I’m a force to be dealt with. My talents are sometimes overused and also sometimes underused. It’s not easy being me.

Online gambling is very seductive and very illusory. It can seem like a really good idea. It can seem like what people told you to work hard and get ahead, but when someone shows you something and it’s too good to be true, it probably is.

No matter how much you change, you still got to pay the price for the things you’ve done.

I dyed my hair for photo tests… I kept it because when am I ever going to be blond again?

I grew up in a home environment where I wasn’t getting esteem for anything I did.

No matter what you’re doing, if you’re trying to make a movie, you need to be working with people that are really good and who make you better.

I have a good instinct for what’s real and what’s not. I don’t have to second-guess myself.

The trap for an actor is that you become too successful at what you’re trying to do, and you can find yourself stuck there.

I want the public to realize that above all I am an actor, a very professional one who loves every minute of being in front of the camera. But one who becomes very miserable the instant the director shouts, ‘Cut!’

I understand the directors much more. I was always rebelling against them when I was a youngster, I didn’t want to be told what to do. I had no identification.

When you hire great actors, you’re lucky, so you just try to create an atmosphere where they can succeed and relax and take risks. You’re happy that you get to watch them at the monitor and that your name is on the director’s chair.

I love doing film soundtracks and working with directors on how they want the scene to be portrayed on audio as opposed to visual.

I never saw myself as a director. It’s certainly a second language but making movies for 40 years, you pick stuff up. However, this style of making movies, this documentary style, is easier for me because I gather a lot of material and with an editor, write it on screen. You try to write based on what you shot.

Great directors can understand the staging in such a way that can make a scene come alive. Others have a certain way of pacing the scene.

I thought, what’s going on? Did some whale get washed up to shore? So I stood up on the table to see what it was, and it was the director.

The story of Salome, the play itself and what it is, what it contains, and my journey as an actor, as a director, as a filmmaker, as a person struggling with whatever I’m struggling with.