“The only thing in this world that gives orders is balls.”

One of the things that made me want to be an actor more than ever was seeing a Chekhov play, “The Sea Gull,” when was 14 in the Bronx.

We live in a world where the more you’re working, the more things you do. It’s a workaday world.

Drinking and smoking grass were a part of my life as far back as I can remember.

Actually, the person I related to was James Dean. I grew up with the Dean thing. Rebel Without A Cause had a very powerful effect on me.

There is only one way of surviving all the early heartbreaks in this business. You must have a sense of humor. And I think it also helps if you are a dreamer. I had my dreams all right. And that is something no one can ever take away.

Early on in my career, I remember running – fleeing – to the theater as a way of coping with all the meshugaas that was going on for me.

Women have always had equal importance onstage, and working with them must have altered my sensibilities.

Their minds, the way in which they se the world is so striking, the way they juxtapose things, the way they can see humor in people. There’s a liberation in that.

When my mother got home from work, she would take me to the movies.

My children can make me feel rejected. They can humble you pretty quick.

I’ve never cared for guns. In fact, when I did ‘Scent of a Woman’ I had to learn how to assemble one.

I don’t feel like a person who takes risks. Yet there’s something within me that must provoke controversy because I find it wherever I go.

Sometimes what we imagine and the world aren’t different things.

I like, for instance, ‘Serpico.’ I enjoyed playing Serpico because Frank Serpico was there. He existed. He was a real life person and I could – I could embody him. I could, you know.

People are always asking me to do Shakespeare – at home, at colleges, on film locations, in restaurants. It’s like playing a piece of music, getting all the notes. It’s great therapy.

It’s very evocative; it’s like a first cut because you hear ‘She walked to the door,’ and you visualize all these things. ‘She opens the door’ . . . because you read the stage directions, too.

I was always making decisions and they were easier decisions because I had control of the game.

Any time the ball goes through the basket, and it’s going through consistently, it’s demoralizing for any opponent.

As long as I play ball, I can get any woman I want.

It makes me sick when I see a guy just stare at a loose ball and watch it go out of bounds.

I’ve always studied business. Even when I was a ball player, I’d read business journals and the business sections of newspapers.

I’m a playmaker, and I’m going to score. At the end of the day, my job is to put the ball in the basket.

I went from five foot eleven to six foot eight, and the more ball I played, the more I caught on to the game.

On the best tactic when playing alongside Kareem Abdul-Jabbar- Just give him the ball.