Show me a bad script and I will show you a big payday.
AL PACINOI’ve had very deep relationships that lasted for long periods of time with people.
More Al Pacino Quotes
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It’s easy to fool the eye but it’s hard to fool the heart.
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We start to realize that there are anodynes in life that help us through the day.
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In America most everybody who’s Italian is half Italian. Except me. I’m all Italian. I’m mostly Sicilian, and I have a little bit of Neapolitan in me. You get your full dose with me.
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If I find something and feel as though I can contribute to [it] in a way and feel I’m in it, whatever that means.
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I’m sensing something and I’m going along with it. It reminds me of a painting, the way Jackson Pollack painted – Jackson Pollack, the great, great artist.
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When I was younger, there was the sex thing. That’s par for the course.When you’re a movie star, it went with it. It’s a kind of rite of passage, socially.
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They cost nothing, and they can be as real as you like to make them. You own your dreams and they are priceless.
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I would say I am more concerned with the plays I’m going to do than the movies.
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Vanity is my favourite sin.
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I’m more comfortable in a play. In film, there’s always a certain sense of control, of holding back.
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Failure’s relative. I’ve always felt, even early on, if I lose the freedom to fail, something’s not right about that. It’s how you treat failure, too.
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You could almost call them marriages, even though I didn’t marry. But it was costly.
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I am a dancer. But I don’t think I would be on ‘Dancing with the Stars,’ mainly because I would be too shy.
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The interesting thing about this is I don’t know what my vision [ in Salome the play and Salomaybe] is yet about.
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We were doing Scarface many years ago…and I remember having my coffee and looking at the beach, the surf, and I saw a hundred people looking out into the ocean.
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I’ve had very deep relationships that lasted for long periods of time with people.
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My own celebrity, my own life. This is semi-autobiographical in terms of my commitment to this kind of thing.
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There’s something to learn from it. I’ve had movies that have failed colossally, so you kind of analyze your failures.
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I’ve never cared for guns. In fact, when I did ‘Scent of a Woman’ I had to learn how to assemble one.
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I didn’t go for the needle at all. I never cared for drugs, because I saw what they did to most people. I thought that was the end of the road.
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It’s very evocative; it’s like a first cut because you hear ‘She walked to the door,’ and you visualize all these things. ‘She opens the door’ . . . because you read the stage directions, too.
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Opinions I have about anything are in my personal life.
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I personally think if you’re given four months instead of four weeks on a play, with the people who want to work that way.
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Responsibilities are relative. My responsibility is to a character in a script, to a part I’m playing.
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Love goes through different stages. But it endures.
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I used to think of myself as a comedian. I’ve always admired comedians.
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