Great portrait photographers are great mythologists.
ROLAND BARTHES- Don’t say mourning. It’s too psychoanalytic. I’m not mourning. I’m suffering.
ROLAND BARTHES
- black
- grey
- blue
- red
- brown
- white
Don’t say mourning. It’s too psychoanalytic. I’m not mourning. I’m suffering.
More Roland Barthes Quotes
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Great portrait photographers are great mythologists.
ROLAND BARTHES -
Who speaks is not who writes, and who writes is not who is.
ROLAND BARTHES -
Language is never innocent.
ROLAND BARTHESLanguage is never innocent.
ROLAND BARTHES -
The new is not a fashion, it is a value.
ROLAND BARTHESThe new is not a fashion, it is a value.
ROLAND BARTHES -
In an initial period, Photography, in order to surprise, photographs the notable; but soon, by a familiar reversal, it decrees notable whatever it photographs. The ‘anything whatever’ then becomes the sophisticated acme of value.
ROLAND BARTHESIn an initial period, Photography, in order to surprise, photographs the notable; but soon, by a familiar reversal, it decrees notable whatever it photographs. The ‘anything whatever’ then becomes the sophisticated acme of value.
ROLAND BARTHES -
Those who fail to reread are obliged to read the same story everywhere.
ROLAND BARTHESThose who fail to reread are obliged to read the same story everywhere.
ROLAND BARTHES -
I try to busy myself elsewhere, to arrive late; but I always lose at this game. Whatever I do, I find myself there, with nothing to do, punctual, even ahead of time.
ROLAND BARTHESI try to busy myself elsewhere, to arrive late; but I always lose at this game. Whatever I do, I find myself there, with nothing to do, punctual, even ahead of time.
ROLAND BARTHES -
Physically, the Ventoux is dreadful. Bald, it’s the spirit of Dry: Its climate (it is much more an essence of climate than a geographic place) makes it a damned terrain, a testing place for heroes, something like a higher hell.
ROLAND BARTHESPhysically, the Ventoux is dreadful. Bald, it’s the spirit of Dry: Its climate (it is much more an essence of climate than a geographic place) makes it a damned terrain, a testing place for heroes, something like a higher hell.
ROLAND BARTHES -
A light without shadow generates an emotion without reserve.
ROLAND BARTHESA light without shadow generates an emotion without reserve.
ROLAND BARTHES -
Isn’t the most sensitive point of this mourning the fact that I must lose a language – the amorous language? No more ‘I love you’s.
ROLAND BARTHESIsn’t the most sensitive point of this mourning the fact that I must lose a language – the amorous language? No more ‘I love you’s.
ROLAND BARTHES -
Touch is the most demystifying of all senses, different from sight which is the most magical.
ROLAND BARTHESTouch is the most demystifying of all senses, different from sight which is the most magical.
ROLAND BARTHES -
Someone tells me: this kind of love is not viable. But how can you evaluate viability? Why is the viable a Good Thing? Why is it better to last than to burn?
ROLAND BARTHESSomeone tells me: this kind of love is not viable. But how can you evaluate viability? Why is the viable a Good Thing? Why is it better to last than to burn?
ROLAND BARTHES -
A picture is never anything but its own plural description.
ROLAND BARTHESA picture is never anything but its own plural description.
ROLAND BARTHES -
We don’t forget, but something vacant settles in us.
ROLAND BARTHESWe don’t forget, but something vacant settles in us.
ROLAND BARTHES -
Through the mythology of Einstein, the world blissfully regained the image of knowledge reduced to a formula.
ROLAND BARTHESThrough the mythology of Einstein, the world blissfully regained the image of knowledge reduced to a formula.
ROLAND BARTHES -
It is no longer the sexual which is indecent, it is the sentimental.
ROLAND BARTHESIt is no longer the sexual which is indecent, it is the sentimental.
ROLAND BARTHES


