“You’ll never be alone if you’ve got a book.”

If you can identify with people, you can empathize with people and therefore you understand things.

Sometimes the only way you can get an audience is at an audition.

The reasons you have for doing a movie will vary with the way your life is going. There was a time when a made a some movies because I felt I needed to work.

There are many things my father taught me here in this room. He taught me: keep your friends close, but your enemies closer.

There was once a great actor named George C. Scott. He was on stage in the Delacourt Theater in Central Park, where they do Shakespeare every summer, and he was playing Shylock in The Merchant of Venice.

When I was doing ‘Scarface,’ I remember being in love at that time. One of the few times in my life. And I was so glad it was at that time.

I do believe, and I will always believe, that Shakespeare on film is really something that should be tried more often because it is an opportunity to take the humanity that Shakespeare writes into characters and express it.

My weaknesses… I wish I could come up with something.

If I find something and feel as though I can contribute to [it] in a way and feel I’m in it, whatever that means.

My movies are always being played on television, I’m very well known and all that stuff.

When you’re reading some of the great plays, when you do what I call “taking up with a writer,” something happens.

I’m not a violent person, never was, but I have this temperament that I’ve always displayed.

I never saw myself as a director. It’s certainly a second language but making movies for 40 years, you pick stuff up. However, this style of making movies, this documentary style, is easier for me because I gather a lot of material and with an editor, write it on screen. You try to write based on what you shot.

[Marlon] Brando’s a giant on every level. When he acts it’s as if he landed from another planet. A planet where they produce great actors.

I don’t need bodyguards. I’m from the South Bronx.

If something is working, don’t fix it. Keep going. Go with the glow.

One always tends to overpraise a long book, because one has got through it.

I wanted to go to drama school, but when I got the part in ‘Falling,’ I got an agent, so it seemed a good idea to work.

I didn’t know much about my Native American ancestry, but as I got older I became more interested in it.

Players will see right through a phony. And they can tell when you’re not giving it all you’ve got.

I couldn’t get a job to save my life. That’s why I wrote ‘Road to Paloma.’ That got into Sundance and got into that scene, and that’s how I got the role in ‘The Red Road.’

I got a really good insight into the world of wrestling.

No matter how young you are or how old you have got. Not for kudos and not for cash: your picture in the paper nor money in the back either. Just refuse to bear them.

A lot of clever people have got everything except judgement