When we look at a photograph of ourselves or of others, we are really looking at the return of the dead.
ROLAND BARTHESTelevision doomed us to the Family, whose household instrument it has become-what the hearth used to be, flanked by the communal kettle.
More Roland Barthes Quotes
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What the Photograph reproduces to infinity has occurred only once: the Photograph mechanically repeats what could never be repeated existentially.
ROLAND BARTHES -
To whom could I put this question (with any hope of an answer)? Does being able to live without someone you loved mean you loved her less than you thought?
ROLAND BARTHES -
Great portrait photographers are great mythologists.
ROLAND BARTHES -
If I acknowledge my dependency, I do so because for me it is a means of signifying my demand: in the realm of love, futility is not a “weakness” or an “absurdity”: it is a strong sign: the more futile, the more it signifies and the more it asserts itself as strength.)
ROLAND BARTHES -
All official institutions of language are repeating machines: school, sports, advertising, popular songs, news, all continually repeat the same structure, the same meaning, often the same words: the stereotype is a political fact, the major figure of ideology.
ROLAND BARTHES -
Language is legislation, speech is its code. We do not see the power which is in speech because we forget that all speech is a classification, and that all classifications are oppressive.
ROLAND BARTHES -
Why is it better to last than to burn?
ROLAND BARTHES -
Literature is without proofs. By which it must be understood that it cannot prove, not only what it says, but even that it is worth the trouble of saying it.
ROLAND BARTHES -
Painting can feign reality without having seen it.
ROLAND BARTHES -
If I had to create a god, I would lend him a “slow understanding”: a kind of drip-by-drip understanding of problems. People who understand quickly frighten me.
ROLAND BARTHES -
How does meaning get into the image? Where does it end? And if it ends, what is there beyond?
ROLAND BARTHES -
The lover’s fatal identity is precisely this: I am the one who waits.
ROLAND BARTHES -
Isn’t desire always the same, whether the object is present or absent? Isn’t the object always absent? -This isn’t the same languor: there are two words: Pothos, desire for the absent being, and Himéros, the more burning desire for the present being.
ROLAND BARTHES -
Isn’t the most sensitive point of this mourning the fact that I must lose a language – the amorous language? No more ‘I love you’s.
ROLAND BARTHES -
He who reads a story only once is condemned to read the same story his whole life.
ROLAND BARTHES