The best principals are not heroes; they are hero makers.
ROLAND BARTHESLanguage is neither reactionary nor progressive; it is quite simply fascist; for fascism does not prevent speech, it compels speech.
More Roland Barthes Quotes
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Those who fail to reread are obliged to read the same story everywhere.
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Architecture is always dream and function, expression of a utopia and instrument of a convenience.
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A light without shadow generates an emotion without reserve.
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Literature is the question minus the answer.
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He who reads a story only once is condemned to read the same story his whole life.
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Wine is a part of society because it provides a basis not only for a morality but also for an environment; it is an ornament in the slightest ceremonials of French daily life, from the snack to the feast, from the conversation at the local cafT to the speech at a formal dinner.
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The photographer, like an acrobat, must defy the laws of probability or even of possibility; at the limit, he must defy those of the interesting: the photograph becomes surprising when we do not know why it has been taken.
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The photographic image is a message without a code.
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The text you write must prove to me that it desires me. This proof exists: it is writing. Writing is: the science of the various blisses of language, its Kama Sutra (this science has but one treatise: writing itself).
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I passed beyond the unreality of the thing represented, I entered crazily into the spectacle, into the image, taking into my arms what is dead, what is going to die.
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All official institutions of language are repeating machines: school, sports, advertising, popular songs, news, all continually repeat the same structure, the same meaning, often the same words: the stereotype is a political fact, the major figure of ideology.
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To try to write love is to confront the muck of language: that region of hysteria where language is both too much and too little, excessive and impoverished.
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Language is a skin: I rub my language against the other. It is as if I had words instead of fingers, or fingers at the tip of my words. My language trembles with desire.
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I call the discourse of power any discourse that engenders blame, hence guilt, in its recipient.
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Isn’t the most sensitive point of this mourning the fact that I must lose a language – the amorous language? No more ‘I love you’s.
ROLAND BARTHES