Don’t say mourning. It’s too psychoanalytic. I’m not mourning. I’m suffering.
ROLAND BARTHESWe know that the war against intelligence is always waged in the name of common sense.
More Roland Barthes Quotes
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All those young photographers who are at work in the world, determined upon the capture of actuality, do not know that they are agents of Death.
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I am interested in language because it wounds or seduces me.
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I encounter millions of bodies in my life; of these millions, I may desire some hundreds; but of these hundreds, I love only one.
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I love you is unsubtle. It removes explanations, facilities, degrees, scruples.
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I have tried to be as eclectic as I possibly can with my professional life, and so far it’s been pretty fun.
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If I acknowledge my dependency, I do so because for me it is a means of signifying my demand: in the realm of love, futility is not a “weakness” or an “absurdity”: it is a strong sign: the more futile, the more it signifies and the more it asserts itself as strength.)
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There are people who think that wrestling is an ignoble sport. Wrestling is not sport, it is a spectacle, and it is no more ignoble to attend a wrestled performance of suffering than a performance of the sorrows of Arnolphe or Andromaque.
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The lover’s fatal identity is precisely this: I am the one who waits.
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Language is a skin: I rub my language against the other. It is as if I had words instead of fingers, or fingers at the tip of my words. My language trembles with desire.
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I call the discourse of power any discourse that engenders blame, hence guilt, in its recipient.
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The photographer, like an acrobat, must defy the laws of probability or even of possibility; at the limit, he must defy those of the interesting: the photograph becomes surprising when we do not know why it has been taken.
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In front of the photograph of my mother as a child, I tell myself: she is going to die: I shudder, like winnicott’s psychotic patient, over a catastrophe which has already occurred. Whether or not the subject is already dead, every photograph is this catastrophe.
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All official institutions of language are repeating machines: school, sports, advertising, popular songs, news, all continually repeat the same structure, the same meaning, often the same words: the stereotype is a political fact, the major figure of ideology.
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Each of us has his own rhythm of suffering.
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Man does not exist prior to language, either as a species or as an individual.
ROLAND BARTHES