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Adding explanation to the descriptive passages of a screenplay is the most dangerous trap you can fall into.

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Adding Dangerous Descriptive Explanation Fall Into Most Passage Screenplay Tray

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

If I were to write anything at all, it would turn out to be nothing but talk about movies. In other words, take ‘myself,’ subtract ‘movies,’ and the result is ‘zero.’
AKIRA KUROSAWA

Anything Movie Nothing Result Talk Turn Writing Zero
What nurtures this root and makes it grow into a tree is the script. What makes the tree bear flowers and fruit is the directing.
AKIRA KUROSAWA

Bear Direct Flower Fruit Grow Make Nurture Root Script Tree
Movie directors, or should I say people who create things, are very greedy and they can never be satisfied… That’s why they can keep on working.
AKIRA KUROSAWA

Create Direct Film Greedy Movie Moving never People Satisfy Thing Think
For truly cinematic expression, the camera and the microphone must be able to cross both fire and water.
AKIRA KUROSAWA

Able Camera Cinematic Cross Expression Fire Microphone Truly Water
To be an artist means to search, to find and look at these realities. To be an artist means never to look away.
AKIRA KUROSAWA

Artist Away Find Look Mean never Reality Search
I’ve been able to work for so long because I think next time, I’ll make something good.
AKIRA KUROSAWA

Able Good Long Next So Something Time Work
I suppose all of my films have a common theme. If I think about it, though, the only theme I can think of is really a question: Why can’t people be happier together?
AKIRA KUROSAWA

Common Film People Suppose Theme Think Together
They often reveal much about themselves in a very straightforward way. I am certain that I did. There is nothing that says more about its creator than the work itself.
AKIRA KUROSAWA

Certain Creator Itself Nothing Often Reveal Straightforward Themselves World
Take me, subtract movies, and you get zero.
AKIRA KUROSAWA

Movie Substact Take Zero
That is what makes a real movie. The script must be something that has the power to do this.
AKIRA KUROSAWA

Make Movie Power Real Script Something
If you look at everything straight on, there is nothing to be afraid of.
AKIRA KUROSAWA

Afraid Everything Look Nothing Straight
Man is a genius when he is dreaming.
AKIRA KUROSAWA

Dream Genius Inspire Man
During the shooting of a scene the director’s eye has to catch even the minutest detail. But this does not mean glaring concentratedly at the set.
AKIRA KUROSAWA

Believe Carch Detail Director Eye Mean Minute Scene
Page 61: No matter where I go in the world, although I can’t speak any foreign language.
AKIRA KUROSAWA

Although Foreign Home Language Matter People Speak Thinking World
By doing this I sense instantly when something isn’t right. Watching something does not mean fixing your gaze on it, but being aware of it in a natural way.
AKIRA KUROSAWA

Aware Being Fix Instantly Nature Right Sense Something Watch Way
The root of any film project for me is this inner need to express something.
AKIRA KUROSAWA

Express Film Flower Inner Need Project Root Something Tree

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