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Adding explanation to the descriptive passages of a screenplay is the most dangerous trap you can fall into.

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Adding Dangerous Descriptive Explanation Fall Into Most Passage Screenplay Tray

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

A film made in this spirit reveals the hearts of the crew.
AKIRA KUROSAWA

Crew Film Heart Made Reveal Spirit
I don’t feel out of place. I think of earth as my home. If everyone thought this way, people might notice just how foolish international friction is and the would be put an end to it.
AKIRA KUROSAWA

Earth End Feel Foolish Friction Home International Notice Out Place
I had wanted to make The Idiot long before Rashomon. Since I was little I’ve liked Russian literature, but I find that I like Dostoevsky the best and had long thought that this book would make a wonderful film.
AKIRA KUROSAWA

Book Country Film Idiot Like Literature Long Make Want Wonderful
I believe you must live honestly and develop your abilities to the full. People who do this are the real heroes.
AKIRA KUROSAWA

Ability Believe Develop Full Heroes Honethy People Real
While the cameras are rolling, I rarely look directly at the actors, but focus my gaze somewhere else.
AKIRA KUROSAWA

Actor Camera Direct Else Focus Gaze Look Rarely Rolling Somewhere
I believe this is what the medieval Noh playwright and theorist Zeami meant by ‘watching with a detached gaze.’
AKIRA KUROSAWA

Believe Detach Gaze Meant Medieval Playwright Theory Warch
I like silent pictures and I always have … I wanted to restore some of this beauty. I thought of it, I remember in this way.
AKIRA KUROSAWA

Art Beauty Like Always Picture Remember Restore Silent Technique Way
With a good script a good director can produce a masterpiece; with the same script a mediocre director can make a passable film. But with a bad script even a good director can’t possibly make a good film.
AKIRA KUROSAWA

Bad Director Expression Film Fire Good Masterpiece Mediocre Passable Producer Real Same Script
When it is very well expressed, one experiences a particularly deep emotion while watching that film.
AKIRA KUROSAWA

Deep Emotion Experience Express Film Particular Very Watch Well
What nurtures this root and makes it grow into a tree is the script. What makes the tree bear flowers and fruit is the directing.
AKIRA KUROSAWA

Bear Direct Flower Fruit Grow Make Nurture Root Script Tree
Take me, subtract movies, and you get zero.
AKIRA KUROSAWA

Movie Substact Take Zero
There is nothing that says more about its creator than the work itself.
AKIRA KUROSAWA

Creator Itself More Nothing Work
I end up writing not from my own will, but from theirs-they come alive as I write and make me do things that I couldn’t have planned.
AKIRA KUROSAWA

Alive Come End Make Own Plan Thing Will Writing
Movie directors, or should I say people who create things, are very greedy and they can never be satisfied… That’s why they can keep on working.
AKIRA KUROSAWA

Create Direct Film Greedy Movie Moving never People Satisfy Thing Think
Yet pleasure in the work can’t be achieved unless you know you have put all of your strength into it and have done your best to make it come alive.
AKIRA KUROSAWA

Achieve Alive Best Come Done Pleasure Strength Unless Work
The great appeal of film is its relatability.
AKIRA KUROSAWA

Appeal Film Great Relatability

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