black
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The dark of my eyes, the fullness of my lips, and coal in my complexion.

Aisha Hinds

When you understand the purpose [of life], then you can deal and journey through the obstacles, the rejections, the stops and starts, highs-and-lows with a different lens because you know that you’re moving in what you’re supposed to do.
AISHA HINDS

High Journey Low Moving Obstacle Purpose Rejection Start Suppose Understand
It’s no mistake that Harriet Tubman is revisiting us, in different forms, right now, as we travel through a very contentious time in the world.
AISHA HINDS

Believe Book Constant Different Form Mistake Thought Travel Very
When that drone shot carried us through the main house with Rosalie, played so unflinchingly-brilliantly by Jurnee Smollett Bell, I signed on for the ride.
AISHA HINDS

Brillant Creed Drone House Played Sign Through Unfiinchingly
Canada was certainly an additional option for the many traveling the treacherous terrain of the Underground Railroad in pursuit of what was perceived as “freedom.”
AISHA HINDS

Additional Certain Country Freedom Perceive Terrain Underground
Once the Fugitive Slave Act took effect, the Northern states were no longer safe for those who managed to escape from being enslaved.
AISHA HINDS

Country Effect Escape Fugitive Longer Manage Northern Safe Slave State Way
The artistry on the show [ Underground] is apparent in each episode. From the riveting writing to the purposeful and precise direction.
AISHA HINDS

Apparent Artistry Character Direction Each Episode Photography Show Underground Writing
Even in past relationships, that I’m still a woman, I still have vulnerabilities even though my aesthetic feels strong, powerful and full of all of the wisdom in the world, I’m still growing and becoming.
AISHA HINDS

Aesthetic Feel Ful Grow Relationship Still Strong Through Woman
I became an instant fan of the show [Underground] seconds into the opening frames of the pilot.
AISHA HINDS

Became Drone Fan Frame House Instant Open Pilot Second Show Underground
The masterful work of the DP [Director of Photography] Kevin McKnight and his crew, and the layers and depths each actor goes to to ensure we the audience feel a human connection to these characters led me to sign my name on the dotted line.
AISHA HINDS

Actor Audience Character Crew Depth Each Layer Name People Photography Sign Work
I almost believe that Harriet Tubman asked God for a leave like, “I’m gonna need to go back down there and take care of some things. They’re in trouble.”
AISHA HINDS

Back Believe Down God Gonna Leave Need Some Thing Trouble
I walked away from the craft because I wanted to know that this is what I was supposed to do with my life.
AISHA HINDS

Craft Do Know Life Suppose Walk Want
A space where the conversation surrounding the issues in our country is offering a seat at the table to all the voices to be heard, a murder mystery, and grassroots look at our own humanity as we move through the parts and pieces of the story.
AISHA HINDS

Conversation Country Grassroot Humanity Issue Look Murder Offer Piece Space Story Surround
[I want to be remembered] as a small piece of the puzzle sent here to serve a bigger picture.
AISHA HINDS

Bigger Picture Piece Remember Sent Serve Want
Thank God for Canada! In the context of this narrative [in Underground] and beyond.
AISHA HINDS

Beyond Country God Narrative Railroad Thank Underground
[Harriet Tubman] lived such a full, complex, and irrefutably-dynamic life that all the craft in the world would be insufficient in honoring her legacy.
AISHA HINDS

Complex Craft Dynamic Legacy Life World
The show [Shots Fired] is an autopsy of our criminal justice system.
AISHA HINDS

Autopsy Country Criminal Justice Moving System Voice

The dark of my eyes, the fullness of my lips, and coal in my complexion.

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The dark of my eyes, the fullness of my lips, and coal in my complexion.

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