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When that drone shot carried us through the main house with Rosalie, played so unflinchingly-brilliantly by Jurnee Smollett Bell, I signed on for the ride.

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The dark of my eyes, the fullness of my lips, and coal in my complexion.
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When you understand the purpose [of life], then you can deal and journey through the obstacles, the rejections, the stops and starts, highs-and-lows with a different lens because you know that you’re moving in what you’re supposed to do.
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She moved seamlessly through an array of spirited and soul-stirring characters, each one holding a mirror up to me and allowing me in many ways to see a reflection of myself on screen.
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So that when it was time to shoot I could hopefully exhale [ Harriet Tubman ].
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I almost believe that Harriet Tubman asked God for a leave like, “I’m gonna need to go back down there and take care of some things. They’re in trouble.”
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Thank God for Canada! In the context of this narrative [in Underground] and beyond.
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One or the other she was going to have by any means necessary.
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