It’s like the mountains, the ocean and the rivers. It has its own geological forms. Societies cannot be flat. But during change, human rights, human dignity and free speech have to be protected. Otherwise, we’ll be going backward.
AI WEIWEII think by shattering it we can create a new form, a new way to look at what is valuable – how we decide what is valuable.
More Ai Weiwei Quotes
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Today, the general masses in this society are in this political-social condition that really encourages people to become rich and become a star and be unique.
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The leadership knows that you cannot solve the issues of China’s future with the means of the past. The demographic consequences of the one-child policy, the build-up of the welfare state.
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Imagine one day, the hateful world around you collapses. And it is your attitude, words and actions that put an end to it. Will you be excited?
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The freedom of speech is an important yardstick for a society’s level of civilization.
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I spent a lot of time standing on street corners [of New York City] talking to local residents. I spent time in bookstores and galleries. But most of the time, I really did not have much to do.
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When you have strict censorship of the internet, young students cannot receive a full education. Their view of the world is imbalanced. There can be no true discussion of the issues.
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Somehow, we [ Tan Dun and director Chen Kaige] were all privileged at the time; we could be outside of China. But at the moment, we had no sense of what the future was going to be like.
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A nation like China has become one of the biggest production fields for exporting cheap labor, which also re-questions our history and past, re-questions human desire, and the human illusions of the past.
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I think to deal with the situation like human crisis, 65 million people being displaced, lost their home, and with such human tragedy, has to make every level of society to be conscious and to be alert about the situation.
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They’ve become part of a conspiracy, collaborators of the crime, which is lying to the general public and trying to hide the kind of criminal acts happening in many cases.
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Now I’ve come to such a mixed culture: America, Europe, South America, Africa. And the politics are changing everywhere all the time and becoming even more unpredictable.
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Every day I’m learning something new from the practice. It’s very rewarding.
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I always want to design a frame that’s open to everyone. I don’t see art as a secret code.
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I call on people to be ‘obsessed citizens,’ forever questioning and asking for accountability. That’s the only chance we have today of a healthy and happy life.
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I think it’s quite narrow-minded. There wasn’t much encouragement or opportunities for any artist – not just Chinese artists.
AI WEIWEI