I have always stated I designed the stadium as a toilet seat.
AI WEIWEII am very much interested in the so-called useless object. I mean, it takes perfect craftsmanship, beautiful material carefully measured and crafted, but at the same time it’s really useless.
More Ai Weiwei Quotes
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That’s why I always question this sense. The feeling of home really requires a lot of trust. It requires you to identify with it, which I always find myself very contradictory to.
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[Museums] all belongs to the cultural department, which is the biggest cultural department in the world.
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They’ve become part of a conspiracy, collaborators of the crime, which is lying to the general public and trying to hide the kind of criminal acts happening in many cases.
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You only have temporary curiosity, amusement, and challenges, but that does not necessarily mean you are really convinced that it’s necessary or that it’s not even worth to do it.
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You know about the fantasies related to the classics, but there is no real discussion about today’s life and no discussion of the real conditions – which is really sickening.
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Stupidity can win for a moment, but it can never really succeed because the nature of humans is to seek freedom. Rulers can delay that freedom, but they cannot stop it.
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You don’t have to march on Tiananmen, but you do have to be clear-minded, to find your own means of expression.
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A clear understanding of such differences will help the rest of the world understand China and all that is happening to the nation.
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Even if there have been setbacks during these past years, China is changing. China’s society is opening.
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If people are being abused or even killed during an arrest, this is highly disturbing.
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The practice of photography is no longer a means for recording reality. Instead, it has become reality itself
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The Internet is uncontrollable. And if the Internet is uncontrollable, freedom will win. It’s as simple as that.
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I deal with students every day – from China, Germany, the United States, Hong Kong and Taiwan. And I’ve noticed that the Chinese students are the least trained in having a sense of aesthetics.
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…photographs are facts, but not necessarily true… The present always surpasses the past, and the future will not care about today.
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Somehow, we [ Tan Dun and director Chen Kaige] were all privileged at the time; we could be outside of China. But at the moment, we had no sense of what the future was going to be like.
AI WEIWEI






