For me, it is OK as long as I can breathe, as long as my heart is pumping, as long as I can express myself.
AI WEIWEIThe Internet is uncontrollable. And if the Internet is uncontrollable, freedom will win. It’s as simple as that.
More Ai Weiwei Quotes
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I spent a lot of time standing on street corners [of New York City] talking to local residents. I spent time in bookstores and galleries. But most of the time, I really did not have much to do.
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The practice of photography is no longer a means for recording reality. Instead, it has become reality itself
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My definition of art has always been the same. It is about freedom of expression. I don’t think anybody can separate art from politics. The intention to separate [the two] is itself a very political intention.
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Any individual can contribute its own belief. And our society or even our government are made by the people. The people would have the final voice, but it requires each individual to act. If we don’t act, then the result is very clear.
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The rest of the world understands little about China’s changes and the possibilities and crises that come with them.
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I have to respect my life, and free expression is part of my life. I can never really silence myself.
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I’m totally independent. I don’t bear any responsibility to any system.
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People have a tendency to become elite rather than to care about the general conditions of the society, which makes me sick. It’s an unbearable condition.
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My angst and my insecurity reflect the state’s angst and insecurity. The state is scared too.
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That’s why the country can’t face up to open competition – unless it resorts to measures like North Korea.
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But personally, I don’t think my work and my understanding of art is so much related to being Chinese, but the character of that. Maybe it’s beyond my own consciousness.
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Choices after waking up: To be true or to lie? To take action or be brainwashed? To be free or be jailed?
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I was an illegal alien for many, many years. I couldn’t move. If I moved I could not even get a visa back.
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You know about the fantasies related to the classics, but there is no real discussion about today’s life and no discussion of the real conditions – which is really sickening.
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I think by not letting young people be fully informed, how can they have energy and passion and the right picture of the world? I think that’s the true crime.
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I grew up in a desert, which has no kind of imagination.
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[Cultural department] understand nothing but bureaucratic daily affairs. They don’t care about culture.
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Of course, people will call you an old artist or young artist, which is just a character of you.
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This so-called fame or being better off doesn’t really attract me at all.
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People have been longing for this moment, because it symbolises a turning point in China’s relationship with the outside world.
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I curated this show [Shanghai Biennale ], I was by no means trying to shock people or be controversial.
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It’s just a way you have to set up some kind of activities to follow your instincts or your curiosities.
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During the days in detention, I thought most about the moon.
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I think by shattering it we can create a new form, a new way to look at what is valuable – how we decide what is valuable.
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I never had secure, belonging feelings with this society [in China].
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So for too long Americans take liberty as granted. We think we are in the safe hand, the democracy and the liberty, which is not true. And it can be even getting much worse than today.
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