A nation like China has become one of the biggest production fields for exporting cheap labor, which also re-questions our history and past, re-questions human desire, and the human illusions of the past.
AI WEIWEI[Museums] all belongs to the cultural department, which is the biggest cultural department in the world.
More Ai Weiwei Quotes
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Otherwise, I think the building can be bigger, larger, and the city can be much more crazy. The problem is the government structure is so deadly stupid, not really solving problems but creating a lot of problems itself every day.
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What counts in the end is what the government does.
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I think optimism is whether you are still exhilarated by life, whether you are curious, whether you still believe there is possibility.
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Now I’ve come to such a mixed culture: America, Europe, South America, Africa. And the politics are changing everywhere all the time and becoming even more unpredictable.
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My typical day is I wake up and appreciate that I can still wake up.
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The whole Chinese system – not just the political leadership, the military too, the whole power structure, our education system, the whole of society – is suffering from being cut off from the free flow of information.
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It’s very essential values that we all have to protect. But in Chinese society, people are giving up on protecting these values.
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It’s like the mountains, the ocean and the rivers. It has its own geological forms. Societies cannot be flat. But during change, human rights, human dignity and free speech have to be protected. Otherwise, we’ll be going backward.
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I don’t believe in a sense of home.
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I think it’s a responsibility for any artist to protect freedom of expression and to use any way to extend this power.
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The society was so different [in China] – it was a feudalistic society. It didn’t come to a point of industrial revolution until twenty years ago.
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That’s why the country can’t face up to open competition – unless it resorts to measures like North Korea.
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I think the pearls – one is a necklace, and another you have five hundred pounds of pearls, which may be one million pearls in a bowl – really show a kind of [society] condition.
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My angst and my insecurity reflect the state’s angst and insecurity. The state is scared too.
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The world is not changing if you don’t shoulder the burden of responsibility.
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This so-called fame or being better off doesn’t really attract me at all.
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I was an illegal alien for many, many years. I couldn’t move. If I moved I could not even get a visa back.
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Say what you say plainly, and then take responsibility for it.
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Maybe being powerful means to be fragile.
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Somehow, we [ Tan Dun and director Chen Kaige] were all privileged at the time; we could be outside of China. But at the moment, we had no sense of what the future was going to be like.
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I think art certainly is the vehicle for us to develop any new ideas, to be creative, to extend our imagination, to change the current conditions.
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You don’t have to march on Tiananmen, but you do have to be clear-minded, to find your own means of expression.
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[Cultural department] understand nothing but bureaucratic daily affairs. They don’t care about culture.
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I don’t think there is a distinct change, because in the West I’m not a person who can serve his purpose.
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The intention to separate art from politics is itself a very political intention.
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Life is art. Art is life. I never separate it.
AI WEIWEI