“I’m interested in people who are not exactly the middle way, or who are trying something else because they cannot prevent themselves from being different, or they wish to be different, or they are different because society pushed them away.”

People know it’s not easy, and even though you have strong feeling and desire and endless love, it doesn’t always happen.

You can buy a good pasta but when you cook it yourself it has another feeling.

My grandson says I’m punk.

I need images, I need representation which deals in other means than reality. We have to use reality but get out of it. That’s what I try to do all the time.

I’d been educated stupidly, I knew nothing about nothing, that’s part of being shy.

When I started my first film, there were three women directors in France. Their films were OK, but I was different. It’s like when you start to jump and you put the pole very high – you have to jump very high. I thought, I have to use cinema as a language.

Many filmmakers have made resurgent work, and I was just a little ahead of the time.

To share a lot of ideas – not ideas – emotions, a way of looking at people, a way of looking at life. If it can be shared, it means there is a common denominator.

Even Vagabond – it was a fiction but it was really a documentary. I mean, it has the texture of documentary. Even if I made up every line, it has the texture of being true.

It sounds so lovely in French. So I took that because it was the subject: I and myself and myself and I. Which is, in a way, boring, because it is a contradiction.

If you know nothing, it could be like an enemy in a way. I think that’s the way I felt when I was young.

The tool of every self-portrait is the mirror. You see yourself in it. Turn it the other way, and you see the world .

I was free always. I could work without the money, to film this and that. But this is another point, because now I’m alone, and I can just use it when I want.

I never adapted anything. Beautiful books are beautiful books, that’s it. I don’t know why we should transform them.

Gleaning is getting things that are abandoned. I did not abandon my early pictures, my photos, my early films. It’s just going through my body of work as something I can pick from.

I didn’t have a list of things I should do this year, next year, find a good novel, sign two stars and make a deal – because I think cinema should come from cinema.