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I’m still fighting. I don’t know how much longer, but I’m still fighting a struggle, which is to make cinema alive and not just make another film.

Agnes Varda

I should say nothing! I’m through with it! I hate to repeat myself all the time.
AGNES VARDA

All Hate Myself Nothing Repeat Time
I don’t believe in inspiration that arrives like a bolt from the blue … It seems to me that the more motivated I am by what I film, the more objectively I film.
AGNES VARDA

Arrive Belief Blue Bolt Inspiration Inspirational
But in a way we all have a Mona. We all have inside ourselves a woman who walks alone on the road. In all women there is something in revolt that is not expressed.
AGNES VARDA

Alone Inside Ourselves Revolt Road Something Way Women
Gleaning is getting things that are abandoned. I did not abandon my early pictures, my photos, my early films. It’s just going through my body of work as something I can pick from.
AGNES VARDA

Abandoned Body Early Film Getting Gleaning Photo Picture
With Jane Birkin, we had a scene from a film called Jane B. by Agnès V. – a portrait I made in ’87. We had a casino scene, surrealistic, in which we had some naked people gambling. Jane Birkin was the card dealer and I was the player.
AGNES VARDA

Beautiful Casino Dealer Film Gambling Made Naked People Player Portrait Scene Surrealistic
To share a lot of ideas – not ideas – emotions, a way of looking at people, a way of looking at life. If it can be shared, it means there is a common denominator.
AGNES VARDA

Emotion Idea Life Looking Lot Mean People Share
I think the digital cameras have changed my view. Even though sometimes, including the installations that I show, I mix 35mm filming and video handmade.
AGNES VARDA

Camera Changed Digital Filming Handmade Installation Video View
The mirror is the tool of the one who wants to do a self-portrait. And if you want to make a photo you need a mirror.
AGNES VARDA

Make Mirror Need One Photo Portrait Self Tool
The story of a couple is always very fragile, especially over more than thirty years.
AGNES VARDA

Always Couple Cuple Especially Fragile More Over Strong Thirty Year
I live in cinema. I feel I’ve lived here forever.
AGNES VARDA

Cinema Fel Forever Here Loved Movie
Sometimes I say, If I had seen some masterpieces, maybe I wouldn’t have dared start. I started very – not innocent, but naïve in a way.
AGNES VARDA

Draed Innocent Masterpiece Say Sometimes Start Way
I think people should be different. I love people who don’t go by the rule that you have to be careful because you’re old, you have to do this and that, you have to eat this and that.
AGNES VARDA

Care Careful Different People Think Thinking
Even Vagabond – it was a fiction but it was really a documentary. I mean, it has the texture of documentary. Even if I made up every line, it has the texture of being true.
AGNES VARDA

Documentary Every Line Fiction Science Texture True
Hands are the tool of the painter, the artist.
AGNES VARDA

Artist Hand Painter Tool
Just yesterday I saw a good film, but even if I’d seen a bad one, I’d feel, “Oh my god, what a bad job, I can do better.”
AGNES VARDA

Bad Better Film God Good One Yesterday
People like my films. They understand me through my films; it’s like a connection that has been established between all my work and myself and the audience and the viewer.
AGNES VARDA

Connection Established Film People Understand

I’m still fighting. I don’t know how much longer, but I’m still fighting a struggle, which is to make cinema alive and not just make another film.

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I’m still fighting. I don’t know how much longer, but I’m still fighting a struggle, which is to make cinema alive and not just make another film.

Related Topics

Popular Authors

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