I don’t want to succumb to the idea that for the generation, or generations, raised on television, the text is irrelevant or so intimidating that they won’t deal with it.
ADRIENNE RICHThere is no simple formula for the relationship of art to justice…In the end, I don’t think we can separate art from overall human dignity and hope. My concern for my country is inextricable from my concerns as an artist.
More Adrienne Rich Quotes
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Despair, when not the response to absolute physical and moral defeat is, like war, the failure of imagination.
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Sleeping. Turning in turn like planets rotating in their midnight meadow: a touch is enough to let us know we’re not alone in the universe, even in sleep.
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he ocean on whose surface vessels (personified as female) can ride but in whose depth sailors meet their death and monsters conceal themselves.
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A book of poems doesn’t just come out by chance, an editor has to select it, a publisher has to distribute it or you will never see it.
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An honorable human relationship- that is, one in which two people have the right to use the word “love”- is a process, delicate, violent, often terrifying to both persons involved, a process of refining the truths they can tell each other.
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My children cause me the most exquisite suffering of which I have any experience. It is the suffering of ambivalence: the murderous alternation between bitter resentment and raw-edged nerves, and blissful gratification and tenderness.
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A revolutionary poem will not tell you who or when to kill, what and when to burn, or even how to theorize. It reminds you… where and when and how you are living and might live, it is a wick of desire.
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That primary quality of being which knows itself, its passions, only against an otherness that has to be dehumanized. I grew up in white silence that was utterly obsessional. Race was the theme whatever the topic.
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Made difficult-to-come-by, whatever is buried in the memory by the collapse of meaning under an inadequate or lying language – this will become, not merely unspoken, but unspeakable.
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We lose touch with parts of ourselves defined as unacceptable by that consciousness; with the vital toughness and visionary strength of the angry grandmothers, the fierce market women of the Ibo’s Women’s War.
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Or those who still believe that language is ‘only words’ and that an old language is good enough for our descriptions of the world we are trying to transform.
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The unconscious wants truth, as the body does. The complexity and fecundity of dreams come from the complexity and fecundity of the unconscious struggling to fulfill that desire. The complexity and fecundity of poetry come from the same struggle.
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The danger lies in forgetting what we had. The flow between generations becomes a trickle, grandchildren tape-recording grandparents’ memories on special occasions perhaps-no casual storytelling jogged by daily life.
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Each feminist work has tended to be received as if it emerged from nowhere; as if each one of us had lived, thought, and worked without any historical past or contextual present.
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The ocean, whose tides respond, like women’s menses, to the pull of the moon, the ocean which corresponds to the amniotic fluid in which human life begins.
ADRIENNE RICH